Children -- Fiction; Fairy tales; Girls -- Fiction; Play -- Fiction
But the Earth was silent, listening. For the City, the beautiful,
green-robed City lying in her glorious night jewels, knew what was
happening too. And when the Lady lifted Littlegirl, to carry her
away, it was as if something had happened which had touched the life
of the City herself. She listened, as the Earth was listening, and the
soft crooning which men thought was the roar of her traffic was really
her song about what she heard. For the story of Littlegirl spread and
echoed, and other children’s stories like hers were in the song, and it
was one of the times when the heart of the City was stirred to a great,
new measure. At last the City understood the homelessness of children,
and their labour, and their suffering, and the waste of them; and she
brooded above them like a mother.... And suddenly she knew herself,
that she _was_ the mother of all little children, and that she must
care for them like a mother _if she was to keep herself alive_. And if
they were to grow up to be her Family, and not just her pretend family,
with nobody looking out for anybody else--as no true family would do.
“Is it well?” asked the Shadow, softly, of the Earth.
“It is well,” said the Earth, in deep content. “Don’t you hear the
human voices beginning to sing with her? Don’t you see the other
Cities watching? Oh, it is well indeed.”
“I’ll go and mention it to the Uttermost Spaces,” said the Shadow.
And, in time, so he did.
XX
THREE TO MAKE READY
Red mosquito-netting, preferably from peach baskets, was best for
bottles of pink water. You soaked the netting for a time depending in
length on the shade of pink you desired--light, deep, or plain. A very
little red ink produced a beautiful red water, likewise of a superior
tint. Violet ink, diluted, remained true to type. Cold coffee gave the
browns and yellows. Green tissue paper dissolved into somewhat dull
emerald. Pure blue and orange, however, had been almost impossible to
obtain save by recourse to our paint boxes, too choice to be used in
this fashion, or to a chance artificial flower on an accessible hat--of
which we were not at all too choice, but whose utilization might be
followed, not to say attended, by consequences.
That August afternoon we were at work on a grand scale. At the Rodmans,
who lived on the top of the hill overlooking the town and the peaceful
westward-lying valley of the river, we had chosen to set up a great
Soda Fountain, the like of which had never been.
“It’s the kind of a fountain,” Margaret Amelia Rodman explained, “that
knights used to drink at. That kind.”
We classified it instantly.
Public-domain text, read in full here on John Shaqi.
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