When Life Was Young: At the Old Farm in MaineStephens, C. A. (Charles Asbury)
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When Life Was Young: At the Old Farm in Maine
Stephens, C. A. (Charles Asbury)
Farm life -- Juvenile fiction; Maine -- Juvenile fiction
Theodora had the "smiling expression" naturally, and perhaps added a
trifle to it for the occasion. We often said to her afterwards, when
looking at the pictures, that her smile was almost as broad as Gramp's
irrepressible one. Still, it was a very good likeness of her at fifteen
and of the genial, half-amused expression she often wore during those
happy years at the farm.
It now came my turn to sit in the chair and have my head put back
against the rest. For some reason Addison laughed, and then the others
came around in front of me and laughed, too. "Don't he look worried?"
cried Halstead. "Get on your 'smiling expression.' Don't stare at that
poor little sock so hard, you'll knock it down off the hook! The little
sock isn't to blame."
"Smile a little," said the artist gently.
But I had just witnessed what befell Gramp from smiling, and was afraid
to risk it. "Oh, now!" whispered Theodora, "you really mustn't look so
morose. Think of something pleasant. Think of catching trout."
But it would not come to me. "He can't smile," said Addison. "I'll stump
him to smile."
"Oh, but you do look sad!" exclaimed Ellen.
"A regular cast-iron glare," said Halstead.
I grew angry.
"There's going to be a thunder-shower from the looks of his face,"
Addison remarked. "I'm going to get under cover."
They all took the hint and went away from in front of me. It seemed to
me that those iron disks of the head-rest were the only two points on
which my entire weight rested. The little pink sock swam up and down;
and from somewheres in the rear I heard Halse saying, "He will have a
fit in a minute more!"
At that moment Lockett took off the cap. I caught my breath, tried hard
to smile just a little and no more, and clenched my fists. _Click!_ the
cap was replaced, and Lockett said, "That'll do." I got out of the chair
and walked to the door; my ears were singing and both feet had "gone to
sleep." The ambrotype subsequently gave evidence that my last effort to
smile had materialized to the extent of being faintly visible, like a
far-distant nebula on a clear night. The others always hectored me about
that "frozen smile."
Ellen sat next and was taken very quickly, while I stood at the door
recovering myself; but Wealthy suffered even more than I did, I feel
sure. The poor child had stood awestruck and alarmed all the time the
others were sitting. What she had seen had by no means tended to
reassure her. She actually turned pale when Theodora took her to the
chair; her dark eyes looked uncommonly large and wild. The smile which
they finally developed on her face was one of fascination rather than
pleasure; and when at length the cap was replaced and the artist said,
"That'll do," she bounced out of the chair as if made of India-rubber.
Public-domain text, read in full here on John Shaqi.
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