When shadows dieSouthworth, Emma Dorothy Eliza Nevitte
General
When shadows die
Southworth, Emma Dorothy Eliza Nevitte
American fiction -- 19th century
“‘It arose at a gentlemen’s dinner, given by one of the Bonapartes. The
talk turned on women, and drifted into the comparative merits of women
of different European nationalities. The Duc de Montmeri, who had taken
too much wine, made some injurious and sneering remarks on Italian
women. The prince warmly took up the defense of his fair compatriots.
High words ensued. The quarrel ended in the challenge of Saviola by
Montmeri. They met the next morning in a secluded spot in the Rouveret.
Montmeri was a professional duelist and a dead shot. Saviola fell at the
first fire. It was a murder—no less. When his second went to raise his
head the dying man only breathed forth three words—“My poor wife”—and
died. Little did I think when I read these words that the poor wife in
question was my own daughter.’
“‘Oh, Luigi! Poor Luigi! And to think that I should have listened to
such cruel slanders of you and cherished such bitter thoughts of you!’ I
exclaimed, in sudden remorse at the remembrance of the ready credence I
had given to the story of his second marriage told me by Anglesea.
“‘And you really knew nothing of this fatal duel until I told you about
it?’ again demanded my father.
“‘Nothing, I assure you. But remember how secluded I have lived here,
seeing no one but my infant boy, my nurse and my maid—except, indeed, my
physician, who came daily for weeks, but who would not have been likely
to speak to me of the duel, even if he had read of it, which he might
not have done, you know.’
“‘Well, my love, you should now put on widow’s mourning for your
deceased husband,’ said my father, looking gravely into my face.”
CHAPTER XXXVI
“TELL ME ALL”
“‘I am not sure that I have the right to do so,’ I answered, dropping my
head on my bosom.
“‘You do not know whether you have any right to do so? What do you mean,
Elfrida? Are we still at cross-purposes, my dear? Or what new enigma is
this?’ he demanded, uneasily.
“‘Father, I fear that a fatal mistake was made in the manner of our
marriage. I fear that mistake may render it illegal. I will have no
concealments from you. Therefore, I must tell you even this. Once I was
led to believe that Saviola made no mistake, but purposely left the
train with me, on the English side of the border, where our marriage
without your consent would have been unlawful; but now since I have
learned that the report of this French marriage was false, I now believe
that the report of his wilful deception of me in regard to the place of
our marriage was also false, and that he ignorantly made the fatal
mistake.’
“‘My dear girl! My dear Elfrida! What do you mean? What fatal mistake do
you mean?’
“‘I have already indicated it, my dear father. But I will tell you more
distinctly,’ I said.
Public-domain text, read in full here on John Shaqi.
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