When the Birds Begin to SingGraham, Winifred (Matilda Winifred Muriel)
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When the Birds Begin to Sing
Graham, Winifred (Matilda Winifred Muriel)
English fiction -- 19th century
Quamina is pounding rice in the kitchen. Eleanor calls to her to stop.
She fancies the sound may prevent her hearing the first fall of a
horse's hoofs in the distance, for the moon has not risen yet, and she
cannot see far.
So she remains perfectly still, waiting for the pale light to rise in
the heavens, while crowds of unutterable fancies rush through her
brain--a mad disorder of thought.
She stares outwards, as one in the fetters of an awful dream.
"Why does he not come to her?"
Some well-known words recur to her brain. "The eye, like a shattered
mirror, multiplies the images of its sorrow, and sees, in innumerable
far-off places, the woe which is close at hand."
There is a hot and heavy vapour in the air--it seems to poison Eleanor
as she inhales it in her lungs. A settled apathy pervades her spirit.
For some moments she feels nothing, has not a thought--only a strange
ringing in her head. The landscape before her looks desolate and
terrible, an unredeemed dreariness darkens her soul like a London
fog--thick, stifling.
London! The word recalls Philip, the man whose home she shattered,
whose life she ruined--for Carol's sake. It was easy to deal the blow,
to forget the world, to forfeit her good name when love's overpowering
fascination was the bait. She can annihilate that black past in the
light of Carol's smile; but when he is absent, and night is on the
earth and in her heart, then the spectre rises, points his deadly
finger at her quivering soul, and she realises the hideous dropping off
of the veil. Her mind is a chaos of ruins. She calls to Carol in
vain; only the shrill cry of some night bird through the air, and the
beating of her pulses, answer that he will not come!
The gaunt form of a four-footed beast steals across the shadows she has
watched so long, that she almost doubts her senses. Can it be a tiger
perchance come forth from the jungle to prowl around her home?
She looks again, a thrill of horror darting through her trembling body.
The beast creeps with a soft and stealthy tread up the verandah
steps--it is long and yellow.
Eleanor stares in mesmeric terror at its fiery eyes.
Then she sees it is a dog--a huge sandy mastiff, with hanging jaws, wet
with foam, a great square head, and broad noiseless feet. It shambles
nearer, appearing so suddenly out of the gloom that it seems to
materialise before her vision. It watches her as if about to spring;
she cannot remember it is not a tiger after all.
Eleanor sickens with fear, a dizzy faintness numbs her nerves, the room
swims round. Her breath comes in quick gasps from a throat parched,
and dry as with desert sand.
She stares dumbly into its glistening eyes that look like coals of fire
in the dark.
Those moments seem to be long hours; they are spells of invisible woe;
this dog is perhaps a phantom, come to warn her of some ghastly peril
into which Carol has fallen. Its fangs look ripe for human gore; it
pants, and its breath is as the rush of a storm.
Public-domain text, read in full here on John Shaqi.
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