When the Birds Begin to SingGraham, Winifred (Matilda Winifred Muriel)
General
When the Birds Begin to Sing
Graham, Winifred (Matilda Winifred Muriel)
English fiction -- 19th century
"Ah! I thought so. Forgive me for my curiosity, but your face
interested me, and I am not conventional. I always speak if I wish,
though it offends some people. To me the fashion of introducing seems
absurd. Here we are all jumbled up together in the same little world,
yet everyone is a mass of reserve, a mind in armour, they never say
what they mean, seldom speak from the heart. One is in the dust, and
another on the throne, and they all die in like manner, to be buried
most probably by a man they would not have dared address without an
introduction, measured by an undertaker they could not have been seen
walking with in the street, and to mix with thousands of spirits whose
ancestors and pedigree are unknown."
Eleanor listens in surprise.
"Are you uncertain about your future?" the stranger asks.
"A little," falters Eleanor nervously.
"Then let me look at your hand, I may be able to help you. No, the
left hand please," as Mrs. Roche tremblingly unbuttons her right glove.
"Ah!" as the gold wedding-ring is revealed, "I was afraid so. I see it
all now; this (pointing to the photograph) is _not_ your husband."
Eleanor tries to speak, but her throat is parched, and dry. She only
bends her head and gazes at the lines in her pink palm.
"You are going on a journey very soon," vouchsafes the stranger. "I
wish it could be prevented, for it brings more pain than
pleasure--misery, desolation."
Eleanor snatches away her hand.
"I don't want to know any more," she says, almost fiercely, pulling on
her glove.
"I did not mean to frighten you," replies the woman penitently. "But I
want to warn you. Whatever you do wrong in this world, my friend, is
always repaid. There may be a heaven and a hell in the hereafter, I
know not, I am not in a position to say, but of one thing I am certain,
there is the hell here on earth, which measures out the allotted
punishment to its victims."
"I don't understand you," exclaims Eleanor, "You talk to me as if I
were a criminal."
"No," shaking her head sadly; "only as to a young and beautiful wife,
who dreams and cries over another man's picture. You have the fatal,
dangerous gift of fascination, Mrs. Roche."
"How did you know my name?"
"It is by me on the label of your bag."
Eleanor is silent. She waits for the stranger to continue.
Public-domain text, read in full here on John Shaqi.
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