When the Birds Begin to SingGraham, Winifred (Matilda Winifred Muriel)
General
When the Birds Begin to Sing
Graham, Winifred (Matilda Winifred Muriel)
English fiction -- 19th century
"In my youth, Mrs. Roche, I was as fair as you--I was unhappily
married. I looked lightly on the bonds that meant so much until they
fettered me--held me down, as I then imagined. Between me and my
husband the sentiment of _camaraderie_ never existed. When I was not
coquetting with him I was quarrelling. I tell you this because I shall
never see you again. You do not know me--or care. I may be dead
to-morrow--you would never hear. We are only just passing in life, and
have paused to speak. The man I married was by necessity a preoccupied
breadwinner, and during his daily absences in hot pursuit of the staff
of life I met--well, we will say this man," taking up the photograph of
Carol Quinton.
Eleanor snatches it from her.
"Ah! yes, just what I should have done then. I was hot-headed, and
reckless, I had a good life in my hands and I ruined, spoiled,
destroyed it! The cruel thongs of public opinion lashed my quivering
flesh, the galling retribution broke my spirit, I cried to God, but He
hid his face, I was an outcast, lost, I could only lie and moan for
death which never came."
The stranger covers her face with her hands, and shudders visibly.
The wedding-ring to which she has no right is still on her wasted
fingers, hot tears, forced from her eyes through recollection, pour
down her drawn cheeks, making little rivulets through some coarse
powder of the cheaper kind.
Eleanor's ever-ready pity rises up to crush the anger previously felt,
for she sees now the effort that this brief confession has cost her
fellow traveller. She knows, too, the reason for which these words
were spoken, and horror stops the beating of her heart, it checks her
throbbing pulses.
Mrs. Roche leans forward, and takes the stranger's hands.
"Thank you," she murmurs simply.
The woman clasps the little fingers gratefully.
"You understand?" she asks.
Eleanor whispers, "Yes."
"Do you know what I saw in your eyes?"
"No."
"Three long words that kept repeating themselves. All the same words,
and the worst, the most heartbreaking. 'To-morrow, and to-morrow, and
to-morrow!' They will drive a soul to perdition quicker than any in
the English language. I am going to have them engraved on my
tombstone, because I can only conquer them in death."
"You are right. I was looking on, living in fancy the worthless days
and hours."
"Crush that tendency, Mrs. Roche. Think of me when your life seems
worthless, and remember all that I have lost. Your face is so sweet,
so pure, so beautiful, it was made for the good love that crowns
spotless womanhood. But this is my station, and I shall never know
what you do with your future."
"Shall I show you?" says Eleanor hastily, for she is easily swayed, and
the stranger has worked upon her emotion.
"Yes."
"See!" and the soft, enticing eyes of Carol Quinton are torn
asunder--the photograph is reduced to a handful of scraps scattered on
the carriage cushion.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account