When the Birds Begin to SingGraham, Winifred (Matilda Winifred Muriel)
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When the Birds Begin to Sing
Graham, Winifred (Matilda Winifred Muriel)
English fiction -- 19th century
"Big, and bold, and handsome. The sort of 'knock you down' woman who
balances weights at music-halls in tights. Giddy and Bertie took me
once to a box at the Empire; she reminded me of the strong lady in
spangles. A magnificent creature, like a splendid animal."
"Oh!" ejaculates Quinton.
"Couldn't you find out who she is, Carol; I would love to know? She
gave me such an odd look from her great brave eyes, then, to my
astonishment, galloped madly away as if I were going to eat her. She
was armed, too, so need not have been afraid, though I don't look much
like a savage, do I?"
"I can't see that we need trouble about her."
"She raised my curiosity."
"Simply because of her good looks."
"She was the strangest woman I ever saw. I should like to know more of
her."
Quinton jags his horse's mouth angrily, and, calling the dog, rides
forward to stop the discussion.
"He has no thought for any woman but me," mentally ejaculates Eleanor,
as she follows on Braye du Valle.
She is perfectly satisfied with her lot as she rides beside him, gazing
at his handsome profile.
Some sombre-hued birds on the ground fly into the air as they approach.
The transformation from dark feathers to brilliant yellow plumage as
they spread their wings in flight is pleasing to the eye.
"I love the golden oriole," says Eleanor, "they look like a flash of
sunlight. The Eastern birds are very beautiful."
As she speaks there is a low growl from behind.
Simultaneously Eleanor and Carol turn in their saddles, looking sharply
at the dog, and then to the thick growth towards which he is stealing,
his tail between his legs and his head down.
"I believe that dog is cracked," says Eleanor, calling him back
sharply. "I always feel as if some evil spirit were near us when he
behaves like that."
"I told you how it would be if we brought him."
"Let us see what he will do."
The dog has taken no heed of her call, but crouches nearer the bushes,
bristling all over. Then suddenly he makes a dive into their midst,
disappearing from view.
This is followed by a series of shrill barks--the sound as of a dog
fighting for its life--a skirmish--a hideous yell--and then--silence.
"Something has killed him!" whispers Eleanor under her breath.
"We had better get on," replies Quinton; "it may be some dangerous
beast."
"What! ride off, and perhaps leave the wretched dog mangled and maimed
to crawl away and starve? Carol! what are you thinking of?"
She springs to the ground, flings him her reins, and before he realises
what she is going to do, rushes into the bushes after her pet.
"Eleanor, are you _mad_?" he thunders, already picturing her devoured
by some fierce beast.
It is a moment of horrible suspense. Then she emerges, her face
scratched by the low boughs, bearing tenderly the limp body of the
terrier, torn and bleeding.
[Illustration: Bearing tenderly the limp body of the terrier.]
Public-domain text, read in full here on John Shaqi.
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