When the Birds Begin to SingGraham, Winifred (Matilda Winifred Muriel)
General
When the Birds Begin to Sing
Graham, Winifred (Matilda Winifred Muriel)
English fiction -- 19th century
"Of course not. She passed when you were looking for the dog on that
unfortunate day. Well, good-bye for the present, dear. Take care of
yourself, and if you like to come and meet me I shall be delighted."
She leaves the house singing, hoping her bravado will have the effect
of re-assuring Carol.
As she goes he flings his book on the ground, stretching out his arms
like a caged bird beating its wings against the bars.
"It can't last much longer," he hisses between his teeth; "it _won't_
last much longer. Thank goodness I can see the end."
Eleanor's mind is so full of thought that she does not heed the
direction in which her steps turn. She walks like one in a dream, busy
with her own thoughts. A thousand ideas flit through her brain. She
lives over her miserable past. Even the early days at Copthorne return
vividly. She is a merry child swinging on a gate; a lazy girl lolling
on a hayrick; a frivolous wife, sporting her gay attire in the Brussels
Bois; a weary woman sighing at her lot in the house on Richmond
Terrace; and then the realisation of the present rushes over her, and
she starts as if suddenly awaking from sleep.
There are steps at her side; she turns, remembering Carol's warning.
Elizabeth Kachin stands before her, they are face to face.
From sheer force of habit Eleanor stretches out her hand in greeting,
but draws it back sharply, gathering her scattered wits together.
There is a cold look in Elizabeth's eyes. Eleanor shivers though the
sun scorches, for the frosts of sin are very bitter. Mrs. Kachin
averts her head, and passes her without a word. Little Tombo, who is
following in the rear, runs up and raises his face for a kiss, but his
mother calls to him quickly, while Eleanor pushes him away. "Why is
she angry with me?" he asks Elizabeth; "why doesn't she come and see us
now?"
Eleanor hears the words. They cut deeper than an assassin's knife.
Carol was right. Retribution is on the road, waiting to devour her
body and soul. She paces on with bent head, the hot blood in her
cheeks, and a lump in her throat.
A third shadow crosses her path, this time it is Big Tombo. Her eyes
meet his fearlessly. He bares his head, bows low, and Eleanor smiles
sadly.
"Men are kinder than women," she thinks, as she wanders on. "They
judge less harshly. When their companions sin they do not cast them
out to sink lower in the mire, they give them a hand, instead of a
kick! But women take upon themselves to dash their sisters with cruel
force upon the stones."
It was good to be alone with her sorrow, her shame.
She breathed a prayer from the depths of her soul--a wordless
invocation. She is close to the jungle now, and the pleasant shade of
the foliage cools her feverish brain.
She steps fearlessly into the thick undergrowth. Then pauses, for the
sound of a horse attracts her attention. It is the heavy tread of the
huge charger, on which that handsome white stranger, gun in hand, is
seeking prey.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account