Mr. Carlton says he directed the first five-reel picture ever
released--“Through Fire to Fortune”--written by Clay Greene and
released March 2, 1914, by the General Film Company. Mr. Carlton
also says his picture contained the first night scene. Through crude
lighting manipulations Mr. Carlton secured it in the quarry at Betzwood
where rocks were painted black and properties arranged to represent
the interior of a mine.
* * * * *
And so from near and far, and from diverging avenues of endeavor, came
the new recruits to Biograph; but in the late fall Mary and Owen, and
the Smith family sailed for Cuba one fine day to produce some “Imp”
pictures there. When safe aboard the steamer, Mary and Owen decided to
brave mother’s tears and anguish. They told her of the secret marriage.
[Illustration: Mary Pickford and Mack Sennett in “An Arcadian Maid,”
Aug. 1, 1910.
(_See p. 78_)
]
[Illustration: Mary Pickford, Mack Sennett, Joe Graybill and Marion
Sunshine, in “The Italian Barber,” which established Joe Graybill.
(_See p. 174_)
]
CHAPTER XXII
IT COMES TO PASS
There were no social engagements during these Biograph years. Our
dinner parties, which were concerned with nourishment mostly, were with
our co-workers. As we never knew when we would be allowed to eat, it
was impossible to dine with friends. There was no time for anything but
work--a good, hard steady grind it was, and we liked it.
The one, lazy, lenient affair of the week was breakfast on Sunday
morning. From ten to twelve it stretched, and it was so restful to eat
at home and not have to look at a menu card or talk to a waiter, even
though the conversation would be all about the movies.
“What are people interested in?” said he, one Sunday.
“Well, men like to make money, and women want to be beautiful.”
“That would make a good movie. Why don’t you write it?”
“Glad to, if you think it’s any good.”
So she wrote it, the part about the women wanting to be beautiful, and
called it “How She Triumphed,” and in it Blanche Sweet evolved from an
ugly duckling with no beaux to a very lovely bit of femininity with
sighing swains all around her. In the picture she did calisthenics
according to Walter Camp as one way of getting there.
After the leisurely Sunday morning hours had crept their way, to the
studio David would hie himself to read scripts with Mr. Dougherty. And
Sunday night would mean a movie show somewhere. And Monday morning it
began all over again.
Public-domain text, read in full here on John Shaqi.
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