But when it rained while we were registered at some expensive place
like the Kittatiny at the Delaware Water Gap, there was need for
anxiety, with the actors’ board bill mounting daily and nothing being
accomplished.
Yes, we had worries. But we were getting encouragement too. The
splendid reviews of our pictures in _The Dramatic Mirror_ helped
a lot. The way our pictures were going over was a joy. With their
first announcement on the screen, what a twitter in the audience! A
great old title page Biograph pictures had. Nothing less than our
National emblem, our good old American eagle, sponsored them. He
certainly looked a fine bird on the screen, his wings benignly spread,
godfathering the Biograph’s little movie children.
Exhibitors were certainly getting keen about “Biographs”; the public
was too. People were becoming anxious about the players as well, and
commencing to ask all sorts of questions about them.
Stacks of mail were arriving daily imploring the names of players, but
of this no hint was given the actor. How surprised I was that time my
husband said to me, “You know we are getting as many as twenty-five
letters a day about Mary Pickford?”
“Why, what do you mean, letters about her?”
“Every picture she plays in brings a bunch of mail asking her name and
other things about her.”
“You’re not kidding?”
“Of course not.”
“Did you tell her?”
“No. I don’t want her asking for a raise in salary.”
Biograph found it a difficult job sticking to their policy of secrecy.
Letters came from fans asking about their favorites; the pretty girl
with the curls--the girl with the sad eyes--the man with the lovely
smile--the funny little man--and the policeman. What tears of joy
Sennett would have wept had he known!
In bunches the postman soon began to leave the “who” letters at 11
East Fourteenth Street. “Who played the tall, thin man in ‘The
Tenderfoot’?” “Who played the little girl in the Colonial dress and
curls who danced the minuet in the rose garden at midnight in ‘Wilful
Peggy’?” “Who was the handsome Indian who did the corn dance on the
mountain top in ‘The Indian Runner’s Romance’?”
Other picture concerns than Biograph had not as yet made the actor’s
name public. But they did give him his mail when addressed with
sufficient clarity. Arthur Mackley, the famous _Sheriff_ of Essanay,
was receiving, those days, ten letters a day. They came addressed.
The Sheriff
Essanay Company
Chicago
Some boy, the Sheriff, getting ten letters a day!
Public-domain text, read in full here on John Shaqi.
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