“Man’s Genesis” wrote another chapter in picture history. It _was_
taken seriously by the public, as was meant, and every picture company
started right off on a movie having some version of the beginning of
man. For Mr. Griffith it was the biggest thing he had yet done, and one
of the most daring steps so far made in picture production.
Again, against great opposition David had put it over, not only on his
studio associates, but on the entire motion picture world. Besides
“Man’s Genesis,” our most talked of picture of the winter--our biggest
spectacle--was “The Massacre.”
It was taken at San Fernando. There were engaged for it several hundred
cavalry men and twice as many Indians. A city of tents, as well as
the two large ones, similar to the ones of the year before, was built
outside the borders of the town.
There was so much preparation, due to the magnitude of the production,
that the secrecy usually attending a Biograph picture did not hold in
this case, and the village of San Fernando, two miles away from the
place of the picture, declared a holiday.
The townspeople having found out just when the raid on the Indian
village and the slaughter of the men and women of the tribe was to take
place, closed up shop and school, and swarmed out to within a safe
distance of the riding and shooting incidental to Custer’s Last Fight,
and spent the day in the enjoyment of new thrills.
There was a two weeks’ fight over a sub-title in “The Massacre”--the
scrappers Mr. Griffith and Mr. Dougherty.
David never used a script, and a sub-title never was written until
he was convinced that one was necessary to elucidate a situation. A
picture finished, at its first running we would watch for places where
the meaning seemed not sufficiently clear; where we doubted if the
audience would “get” it. And in such a place in the film, a title would
be inserted. So “The Massacre” finished, and being projected, this
scene was reached:
Horses with riders dashing madly down the foreground, the enemy
in pursuit, then the riders dismounting and using the horses as a
barricade, shooting over them.
Here arose the disagreement about the sub-title. Mr. Griffith wanted to
insert a caption “Dismounting for Defense.” Mr. Dougherty said, “The
audience will know that is what they are doing.” But Mr. Griffith was
not so sure about it, so he said: “Now I think, I’d just like to have
the title; they may not know what I am trying to show.”
“Yes, they will,” said Doc.
Even Mr. Kennedy was swept into the debate. As the argument continued
his morning greeting became, “Well, are you still at it, you Kilkenny
cats?”
Public-domain text, read in full here on John Shaqi.
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