It has been stated in error that the Kinemacolor pictures were never released. They were very much released, being shown at the New York Theatre Roof, besides many other theatres in New York, and contracts for their service all through the country were made by the Kinemacolor Company. Things started off with such a bang, we never did get over the shock of the sudden closing. It was one exciting year with Kinemacolor, but it ended suddenly and tragically with the death of the president, Mr. Brock. While preening our wings for a flight to southern France, a telegram arrived from the New York office announcing the finish of picture production in Kinemacolor. The sudden disruption of the Kinemacolor Company sent a flock of actors and a few directors scouting for new jobs. Frank Woods took up with Universal, only to suffer a six weeks’ nightmare. Being unable to turn out the class of stuff wanted, and anticipating what was coming, he resigned, dug up the return half of his Kinemacolor round-trip ticket, and was not long in New York before he got busy as a free-lance; and not so long after that a telephone from D. W. Griffith asked him to become his scenario writer. With great joy he accepted, filling the position with Mr. Dougherty, who was now back at Biograph after a short spasm with Kinemacolor. Right away Mr. Woods and Mr. Griffith got busy on “Judith of Bethulia,” for having produced such a classic, Mr. Griffith wanted some special titling for it. He turned it over to Frank Woods, who phrased the captions in the style of language of the day--the first time that was done. However, it proved too much of a strain for the exhibitors, for they afterward fixed the titles up to suit themselves in good old New Yorkese. Mr. Griffith’s connection with the Mutual Film organization and his association with H. E. Aitken resulted in the production of such eventful and popular pictures as “The Tell-Tale Heart,” “Home, Sweet Home,” “The Escape,” “The Avenging Conscience,” and “The Battle of the Sexes.” The Clara Morris home out on Riverdale Road served as a studio until the 29 Union Square Place was acquired. Billy Bitzer, D. W.’s photographer, went with him in his new affiliation, as also did Frank Woods and Christy Cabanne. As Mr. Griffith’s work with the Mutual became organized, one by one he took over his old actors, but he left them working with Biograph until he could put them directly into a picture. So they trailed along; Henry Walthall, Blanche Sweet, James Kirkwood, Mae Marsh, Lillian and Dorothy Gish, Eddie Dillon, and many others.