And so eventually “The Birth of A Nation” was finished. At the Liberty
Theatre in West Forty-second Street, New York--1915 was the time--it
had its première--one wholly novel for a moving picture--for it was the
first time a movie was presented bedecked in the same fashion as the
more luxurious drama, and shown at two dollars per seat. It was not
the first picture to be given in a legitimate theatre, however, for
Mr. Aitken had previously booked at the Cort Theatre “The Escape,” the
picture made from the Paul Armstrong play of the same name.
At this first public projection of “The Birth of A Nation,” an audience
sat spellbound for three hours. The picture was pronounced the
sensation of the season. From critics, ministers, and historians came
a flood of testimonials, treatises, and letters on the new art and
artists of the cinema.
“The Birth of A Nation” remains unique in picture production. It
probably never will be laid absolutely to rest, as it pictures so
dramatically the greatest tragedy in the history of America, showing
the stuff its citizens were made of and the reason why this nation has
become such a great and wonderful country.
Through the success of “The Birth of A Nation” the two-dollar movie was
born. But here let there be no misunderstanding: the two-dollar-a-seat
innovation in the movies was H. E. Aitken’s idea. He was opposed in it
by both Mr. Griffith and Mr. Dixon, Mr. Dixon becoming so alarmed that
he type-wrote a twelve-page argument against it. However, Mr. Aitken
persisted and the result proved him right. The public will pay if they
think your show is worth it.
Through the success of “The Birth of A Nation,” the sole habitat of
the movies was no longer Eighth Avenue, Sixth Avenue, Avenue A and
Fourteenth Street; the movies had reached Broadway to stay. D. W.
Griffith had achieved that, and had he stopped right there he would
have done his bit in the magical development of the motion picture.
For though “Bagdad Carpets” fly, and “Ten Commandments” preach, and
“Covered Wagons” trek--miles and miles of movies unreel, and some of
them awfully fine, they must all acknowledge that the narrow trail that
led to their highway was blazed by Mr. Griffith.
Whoever might have had a dream that the degraded little movie would
blossom into magnificence, now was beginning to see that dream come
true. The two-dollar movie was launched; tickets were obtainable at the
box office for what future dates one pleased; there were surroundings
that made the wearing of an evening dress look quite inconspicuous;
serious criticism and sober attention were to be had from the
high-minded--these were the first stages of the dream’s fulfillment.
Public-domain text, read in full here on John Shaqi.
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