The studio was now a busy place. A Civil War picture had to be rushed
through before we could get away. Mr. Powell was busy engaging actors
for it and had just completed his cast of principals when he bumped
into an actor friend, Tommy Ince. It seems Mr. Ince at the moment was
“broke.” Apologetically, Mr. Powell said he couldn’t offer anything
much, but if Mr. Ince didn’t mind coming in as an “extra” he would
give him ten dollars for the day. This quite overcame Tom Ince and he
stammered forth, “Glory be”--or words to that effect--“I’d be glad to
get five.” Only one part did Tom Ince play with Biograph and that was
in “The New Lid” with Lucille Lee Stewart, Ralph Ince’s wife and sister
of Anita Stewart.
I happened to call on Eleanor Hicks Powell one evening in the summer
of 1912 when our only Biograph baby, Baden Powell, had reached the
creeping age. During the evening Mr. and Mrs. Tom Ince dropped in. Of
course, we talked “movies.” Mr. Ince was worrying about an offer he’d
had to go to California as manager and leading director of the 101
Ranch, Kaybee Company, for one hundred and twenty-five dollars per
week, as I remember. He offered me forty dollars to go out as leading
woman, but I couldn’t see the Indians. Mr. Ince couldn’t see them
either--but it was the best offer that had come his way.
Mr. Ince made a great success out of the 101 Ranch, but having
ambitions to do the “high-class,” he moved on in quest of it. Took to
developing stars like Charles Ray, Enid Markey, and Dorothy Dalton;
became one of the Triangle outfit with David Griffith and Mack Sennett;
exploited dramatic stars like George Beban, Billie Burke, and Enid
Bennett; did “Civilization”--but _after_ “The Birth of a Nation.”
* * * * *
Who was to go to California and who wasn’t? Ah, that was the question!
Some husbands didn’t care to leave their wives, and as they couldn’t
afford to take them, they were out. Some didn’t mind the separation.
Some of the women had ties; if not husbands, mothers; and the
California salary would not be big enough to keep up two homes. Some
didn’t want to leave New York; and some who should have known they
didn’t have a ghost of a chance wept sad and plentiful tears whenever
the director looked their way. One of these was Jeanie Macpherson.
Jeanie didn’t go along this first time.
A few days after Christmas was the time of the first hegira to the land
of the eucalyptus and the pepper tree. It was a big day.
Public-domain text, read in full here on John Shaqi.
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