There had been engaged for this picture a bunch of cowboys,
rough-riders, headed by Bill Carroll, for we were to pull some
thrillers in the way of horse stuff. The riders with their horses were
leaving Los Angeles on the midnight train, due to reach Capistrano at
2 A.M.
It was all so weird and spooky that midnight had arrived before I had
summoned sufficient courage to let myself go to sleep. No sooner had I
dozed off than out of the black and the silence came a terrific roar,
yells, and loud laughter, and pistol shots going zip, zip, zip.
These hot-headed Mexicans! Things happened here, and something dreadful
was going to happen right now. I heard horses; and soon horses and
riders galloped madly into the back-yard, right to the foot of our
stairs, it seemed.
But it was only our cowboys who had arrived, feeling good, and full
of the joy of life. Old Colonel Roosevelt knew all about this sort
of thing, and would have appreciated the celebration. No thought
had been given the boys’ slumber places, and so after a look around
they docilely crawled up into the barn and were soon asleep in the
sweet-smelling hay.
“The Two Brothers,” the picture we were to do, told the story of the
good and bad brother. Good brother marries the pretty señorita in the
Mission chapel.
An experienced and cultured gentleman was the French priest in charge
of this Mission. He was most obliging and told us we could use whatever
we liked of the wedding ceremonial symbols, which we did, but which we
shouldn’t have done on this particular day of days--Good Friday.
The wedding was some spread. There were Spanish ladies in gay satins
and mantillas, and Spanish gentlemen in velvets and gold lace, and
priest and acolytes carrying the sacred emblems. They paraded all over
the Mission grounds. Then the camera was set up to get the chapel
entrance. While all was going happily, without warning, from out the
turquoise blue sky, right at the feet of the blushing bride and the
happy groom, fell the stuffed figure of a man! Right in the foreground
the figure landed, and, of course, it completely ruined our beautiful
scene.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account