When the tree flowered : $b An authentic tale of the old Sioux worldNeihardt, John G.
History
When the tree flowered : $b An authentic tale of the old Sioux world
Neihardt, John G.
Historical fiction; Oglala Indians -- Fiction
“When cherry seeds begin to harden, the sun is like a strong man
just past his youth and not yet growing old. It is then that the
sun is highest in the sky and his power is the greatest. There he
stands a little while before he starts back towards the winter again.
That is the time for all the people to come together and dance his
sacred dance, that his power may be theirs and their hearts may be
strengthened for the road of difficulties ahead. Maybe the people have
been wandering in small bands, living in little hoops by themselves.
Maybe some of them have almost forgotten the power of the great hoop to
shield and make them strong. And maybe even in the little hoops some
people are so proud they begin to forget that by themselves they are
nothing. It is good for them to feel the sacred power of the great hoop
again, for it is the power of Wakon Tonka. And at the center of that
hoop the Sacred Tree shall grow and spread above them all and fill with
leaves and bloom and singing birds. It is a time of happiness for all
the people; for it is then that relatives, from far places maybe, see
each other again and tell all that has happened. And there is feasting;
and the old men and women remember, and the little boys and the youths
look and listen, thinking of the great deeds they are going to do. And
under many a lover’s blanket the girls hear whispered words that make
their hearts like birds singing in their breasts.
“It is a happy time; but also it is a time to suffer and endure, for
pain is wise to teach and without courage there is nothing good.
“It was the time of hardening cherry seeds when we got back with all
those Crow horses and the scalp. Already a wide flat place by a creek
was chosen for the sun dance, and the sacred societies were building a
big round enclosure for the ceremony. They cut poles and placed them
in the ground; and over these, other poles were placed, and on these
poles leafy branches were laid to make a circular shade where the
people would sit and watch. And around the outside of this big circle
of shade, tepee skins would be hung to make an enclosure for the holy
place. Inside this circle was the bare flat dancing ground, open to the
strong sun; and in the center of this, the sacred tree would stand.
They stopped working a little while when we came back, but when the
victory dance was over, they went on with the work of getting ready.
Public-domain text, read in full here on John Shaqi.
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