When the West was youngBechdolt, Frederick R. (Frederick Ritchie)
History
When the West was young
Bechdolt, Frederick R. (Frederick Ritchie)
West (U.S.) -- History
John Slaughter served two terms as sheriff, and when he retired from
office Cochise County was as peaceable as any county in the whole
Southwest. The old-timers who witnessed the passing of events during
his regime invariably speak of him when they are telling of great
gunmen. Yet, from the time when he started up the Pecos with that herd
in the spring of 1876 until the day when he went to his San Bernardino
ranch to take up life as a peaceful cattleman, he slew fewer men than
some whose names are absolutely unknown. What he did he managed to
accomplish in most instances without pulling a trigger. That was his
way.
COCHISE
Darkness had settled down upon the wide mesquite flat, smoothing off
all irregularities, hiding outlines until the tallest thickets were
but deeper shadows merging into the lesser shades of the open places.
Only one object showed, a Sibley tent glowing from the light within.
Under the flaming yellow stars it stood out luminous, marking the
exact center of an enormous circle; a circle roofed by the radiantly
flecked heavens, bounded by mountains which rose against the sky-line,
abrupt as a wall, black as ink. In the different segments of this
far-flung ring the peaks of the Chiracahuas, the Grahams, the
Dragoons, and the Galiuros betrayed their ranges by varying outlines.
But to the eye they all formed portions of one huge circumference,
whose center was a glowing point, the Sibley tent.
On the translucent walls of canvas there was a weird design of black
shadows, a design which was constantly shifting and taking on new
shapes. And as the shadows moved, sometimes with grotesque effect and
swiftly, sometimes slowly, voices filtered through the gleaming cloth
to mingle with the whispering of the night wind in the bear-grass, the
dull stamping of tethered horses, the intermittent jingling of
bitt-chains and the steady soft footfalls of two sentries.
The voices changed as often as the shadows on the tent-wall; now it
was the abrupt, clipping speech of a white man and now the deep,
inflectionless bass of an Indian. But most often it was the droning
monotone of the post interpreter, uttering his translations in English
or in the tongue of the Apache.
Of what was taking place within those luminous walls of canvas,
official records still exist; and of what followed there are whole
volumes of further records in Washington. Dry reading in themselves,
they hold the meat of a remarkable story, a story whose colorful
narration has been given by its own main characters and thus has come
down among the true chronicles of the old-timers.
Public-domain text, read in full here on John Shaqi.
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