When the World Shook: Being an Account of the Great Adventure of Bastin, Bickley and ArbuthnotHaggard, H. Rider (Henry Rider)
Science
When the World Shook: Being an Account of the Great Adventure of Bastin, Bickley and Arbuthnot
Haggard, H. Rider (Henry Rider)
Adventure stories; Science fiction
No, it must be life, real life, something that had happened, and the
same may be said of what followed. For instance, there was what we call
a review. Infantry marched, some of them armed with swords and spears,
though these I took to be an ornamental bodyguard, and others with
tubes like savage blowpipes of which I could not guess the use. There
were no cannon, but carriages came by loaded with bags that had spouts
to them. Probably these were charged with poisonous gases. There were
some cavalry also, mounted on a different stamp of horse from ours,
thicker set and nearer the ground, but with arched necks and fiery eyes
and, I should say, very strong. These again, I take it, were
ornamental. Then came other men upon a long machine, slung in pairs in
armoured sacks, out of which only their heads and arms projected. This
machine, which resembled an elongated bicycle, went by at a tremendous
rate, though whence its motive power came did not appear. It carried
twenty pairs of men, each of whom held in his hand some small but
doubtless deadly weapon, that in appearance resembled an orange. Other
similar machines which followed carried from forty to a hundred pairs
of men.
The marvel of the piece, however, were the aircraft. These came by in
great numbers. Sometimes they flew in flocks like wild geese, sometimes
singly, sometimes in line and sometimes in ordered squadrons, with
outpost and officer ships and an exact distance kept between craft and
craft. None of them seemed to be very large or to carry more than four
or five men, but they were extraordinarily swift and as agile as
swallows. Moreover they flew as birds do by beating their wings, but
again we could not guess whence came their motive power.
The review vanished, and next appeared a scene of festivity in a huge,
illuminated hall. The Great King sat upon a dais and behind him was
that statue of Fate, or one very similar to it, beneath which we stood.
Below him in the hall were the feasters seated at long tables, clad in
the various costumes of their countries. He rose and, turning, knelt
before the statue of Fate. Indeed he prostrated himself thrice in
prayer. Then taking his seat again, he lifted a cup of wine and pledged
that vast company. They drank back to him and prostrated themselves
before him as he had done before the image of Fate. Only I noted that
certain men clad in sacerdotal garments not at all unlike those which
are worn in the Greek Church to-day, remained standing.
Now all this exhibition of terrestrial pomp faded. The next scene was
simple, that of the death-bed of this same king—we knew him by his
wizened features. There he lay, terribly old and dying. Physicians,
women, courtiers, all were there watching the end. The tableau vanished
and in place of it appeared that of the youthful successor amidst
cheering crowds, with joy breaking through the clouds of simulated
grief upon his face. It vanished also.
Public-domain text, read in full here on John Shaqi.
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