All day there were sports and processions, the habitants gay in rosettes and ribbons, flowers and maple leaves, as they idled or filed along the streets, under arches of evergreens, where the Tricolor and Union Jack mingled and fluttered amiably together. Anvils, with powder placed between, were touched off with a bar of red-hot iron, making a vast noise and drawing applausive crowds to the smithy. On the hill beside the Cure’s house was a little old cannon brought from the battle-field of Ticonderoga, and its boisterous salutations were replied to from the Seigneury, by a still more ancient piece of ordnance. Sixty of Valmond’s recruits, under Lajeunesse the blacksmith, marched up and down the streets, firing salutes with a happy, casual intrepidity, and setting themselves off before the crowds with a good many airs and nods and simple vanities. In the early evening the good Cure blessed and lighted the great bonfire before the church; and immediately, at this signal, an answering fire sprang up on a hill at the other side of the village. Then fire on fire glittered and multiplied, till all the village was in a glow. This was a custom set in memory of the old days when fires flashed intelligence, after a fixed code, across the great rivers and lakes, and from hill to hill. Far up against Dalgrothe Mountain appeared a sumptuous star, mystical and red. Valmond saw it from his window, and knew it to be Parpon’s watchfire, by the grave of his brother Gabriel. The chief procession started with the lighting of the bonfires: Singing softly, choristers and acolytes in robes preceded the devout Cure, and pious believers and youths on horseback, with ribbons flying, carried banners and shrines. Marshals kept the lines steady, and four were in constant attendance on a gorgeous carriage, all gilt and carving (the heirloom of the parish), in which reclined the figure of a handsome lad, impersonating John the Baptist, with long golden hair, dressed in rich robes and skins--a sceptre in his hand, a snowy lamb at his feet. The rude symbolism was softened and toned to an almost poetical refinement, and gave to the harmless revels a touch of Arcady. After this semi-religious procession, evening brought the march of Garotte’s Kalathumpians. They were carried on three long drays, each drawn by four horses, half of them white, half black. They were an outlandish crew of comedians, dressed after no pattern, save the absurd-clowns, satyrs, kings, soldiers, imps, barbarians. Many had hideous false-faces, and a few horribly tall skeletons had heads of pumpkins containing lighted candles. The marshals were pierrots and clowns on long stilts, who towered in a ghostly way above the crowd. They were cheerful, fantastic revellers, singing the maddest and silliest of songs, with singular refrains and repetitions. The last line of one verse was the beginning of another: “A Saint Malo, beau port de mer, Trois gros navir’ sont arrives.