England -- Social life and customs -- 19th century; Great Britain -- History -- William IV, 1830-1837
"The statue of the Duke of York turns his back on the town and
his face to the Park. This arrangement was contrary to the
judgment of Mr. Westmacott, but insisted on by the Duke of
Wellington, who held it a point of propriety that the
Commander-in-Chief should face the Horse Guards. His Grace also
contends that it will be seen by more people from the Park below
than from Waterloo Place--another curious evidence of the
correctness of his observation. But this is not the Duke's first
mistake as to public views. It now seems that the Duke of York is
ashamed to show his face to the town, and, what to military
notions is worse, he turns his back on Waterloo Place.
"On the base of the monument should be inscribed, 'He made
creditors pitied!'--an effect never before produced, as the
sympathies of the world generally runs with poor debtors, and
creditors are only thought of and talked of as 'hard' and
'cruel.' No general in history was ever so heavily charged as the
Commander-in-Chief, and yet the charges of his creditors were the
only charges the general ever defeated."
In May, people were much exercised about Trades' Unions, which were
then being formed, and, as is their nature, leading to strikes, some
of which were then becoming serious, as in the cases of the cotton
spinners and the journeymen tailors. An attempt was made to turn the
movement into ridicule, as shown by the following, but without
effect--
"CIRCULAR LETTER AND REGULATIONS FROM THE GRAND LODGE OF LADIES'
MAIDS.
"MADAM,
"By direction of the Friendly Society of Operative Ladies' Maids,
I have to inform you that, to stay the ruinous effects which a
destructive fashionable competition has so long been inflicting
on them, they have resolved to introduce certain new regulations
into their profession, which regulations they intend should
commence from Monday next; and I herewith beg to enclose a copy
of them--
"REGULATIONS.
Public-domain text, read in full here on John Shaqi.
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