No. 4. Commence at 7. Boxes, 5_s._; pit, 3_s._; lower gallery, 2_s._; upper gallery, 1_s._ Half-price, none; but, as an equivalent, the performances were seldom over before 1. No. 5. No account of prices. Not always open. No. 6. Commence, 6.45. Boxes, 4_s._; pit, 2_s._; gallery, 1_s._ Half-price, 8.30. No. 7. Commence, 7. Prices same as Adelphi. Half-price, 8.30. No. 8. Commence, 6.30. " " No. 9. " " " No. 11. " " " No. 14. " " " Vauxhall was open for singing and for dancing, for those who could never hope for entrance into Almacks; and, for those who liked Tom and Jerryism, there were many places which were open all night. But, during the day, for serious people and families there were many attractions. One of them, the bazaar, is practically dead. There were the Soho Bazaar, and the Queen's Bazaar, in Oxford Street, opposite the Pantheon, in which was exhibited the "Royal Clarence Vase," which was made of cut coloured glass, in 2400 pieces, so joined as to be water-tight. It weighed eight tons, its height, including the pedestal, was fourteen feet, and the inner diameter of the bowl was twelve feet. The Pantheon, now the offices of Messrs. W. & A. Gilbey, was opened in May, 1834. It was one of the largest bazaars, with counters for 250 standings for the sale of fancy articles, millinery, jewellery, etc., and there were many rooms devoted to the reception of paintings and statuary. There was the King Street Bazaar, Baker Street, and something like the bazaars were the Western Exchange, between Burlington Arcade and Old Bond Street, and the Burlington and Lowther Arcades.