What so unlike this idea as the fashionable votary, while she strangles
and strains to get out of the superfine, creaseless kid cages? Did they
look like mice peeping in and out as she tripped (limped) along
according to the poet? Who wants to see mice under petticoats? Who, with
poetry or taste, cares to see feet that can be compared to mice? And can
those long, splay, aristocratic, high-heeled, superbly-arched,
pointed-toed, tightly, so tightly-fitting, importations from tinsel
Paris be called feet? Alas! they are all that the envied, favoured one
has to represent what God Almighty was already pleased with. He gave her
roundness, which she has flattened--fulness, which she has
reduced--softness, which she has made hard; all that He did she has
attempted to undo, until what she is dipping into the tepid and aromatic
bath is neither useful for walking nor tempting to the eye. They are
white enough--almost white enough for leprosy, except when the boot has
been perchance extra hard; then they are red or horny, according to the
time the bruise has been endured. Soft underneath, where nature meant
them to be hard--so soft and useless that a crumb under the carpet
causes them to double up--hard and lumpy where nature intended them to
be soft! How modest fashion is to hide all the uglinesses she creates,
and what fools men are to rave about a piece of leather!
Our Highland girl, with her boots slung over her shoulders, and the
marks all washed away in the streamlet she has just passed, is springy
in her gait as a young stag, lithe in her movement as a young
panther--every fleshfold has its own room to move and make grace; the
heels are broad to meet emergencies, round where they rise, flat where
they press the earth; the soles hard, as they ought to be, to encounter
the roughnesses, with an instep just big enough to skim the ground, not
high enough to attract the eye--nature is far too subtle for that;
flexible and free, the toes are dimpled loves, each carrying his own
pink sea-shell, with blue veins that run over strong sinews, and appear
mellow under the gold of the sun-flush--an ankle that is godlike in its
concealed strength, and the portion of a leg that might serve the
painter as his model for the huntress Diana.
Fashion makes us bond-slaves. We put on boots to keep out the cold, and
they soak in the damp; stockings to help the absorbing process, and thus
confirm the risk of consumption. Nature makes us all beautiful, or would
do so if we gave her a fair chance; and we spend years in bringing
nature down to a level not to be described in any simile. Nature meant
to endow us with sinews and muscles to give and take a squeeze, and we
poultice them all over until they are flaccid, and shrink at the
slightest force.
Public-domain text, read in full here on John Shaqi.
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