Then the battle is over and the stillness of death settles down, the
purple grows grey, the amber afterglow is cooling behind it, and those
wonderful little spark worlds are coming out to watch. On the earth long
lines of silver vapour lie like stretches of water with fen-lands
between; the tree trunks are submerged in the deluge, and only the tops
of brown ranges float above. A sigh comes over the land, that enters
into our spirits and finds an echo there, as we turn to the east to
watch the mellow moon rise out of its umber grey background, giving us
thoughts of rest after the day's work is over, bringing out young
lovers, imparting to rosy cheeks the spiritual pallor of tender
sympathy, throwing into dark eyes, that might flash mischievously in the
sunlight, the melancholy languor that rivets the pensive chains, and a
host of vague forms to the dreamy student, as he leans back, while the
thin wreaths created by his meerschaum pipe circle heavenward from his
meditative lips.
ARTISTIC BOTANY
[Illustration: I]
It is astonishing how insensibly we are drawn on to moralise when in the
mood. A stone in our path, over which we stumble, may become the text
for a long sermon; a little piece of crumpled, torn newspaper may lead
us along a train that seems endless--the power of the critic and the
abuse of that power, the art of printing, and how people got on without
the use of type to spread their gossip, the machinery used for it, and
the boon steam will be to the poor horses who may yet become our friends
instead of our slaves; the garment that scrap of paper once was, and the
romance of the wearer, the loom where it was spun, and the weavers, the
vessel that bore the little balls of cotton from the western fields
where the lash of the overseer once cursed the land--and we have taken
up the science of botany all in a single thought, and fly backward by
flashes until we come to the period when earth was like a fair garden
waiting upon its owner when the work was all but finished, and the
nameless lion and lamb together grazed by the Tree of Knowledge. The
great hush of fifty centuries hangs over it all, flinging before it the
haze of a far distance. The date-palm waves like feathers in the silver
space, the cocoanut hangs from the roof of its fan-like branches. The
banana is green, or ripens without the decay of a leaf; the many
bright-winged songsters are sparkling with their hundred warm tints, and
the fresh first spring, for they have suddenly burst into joyous
animation to hail the new life. We mingle with the morning mists, the
white forms of the angels who watched that great work, and the diamond
drops of dew which are lying in the mouth of the lilies get between us
and the starry diadems which crown their glowing heads, until we cannot
separate the flowers from the deathless host.
Public-domain text, read in full here on John Shaqi.
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