No man saw within that veil of mist, for God was there. Yes, once it
parted, when he reached the top. That mist was made of angels' wings.
They drew aside, and for a time permitted him to view the promised land,
and the Lord was with him, pointing it all out.
A voice from the mist of the angels' wings told him of the presence of
God, so he stood up, clutching to the rock beyond which he gazed, the
shadow of the mountain over the plains of Moab and the last fiery ray of
evening laving the land in front.
He saw all Gilead unto Dan, to the utmost sea, where the line of
unbroken amethyst crossed the scarlet clouds; Naphtali, Ephraim,
Manasseh, the valley of Jericho, and the city of palm-trees.
His back was to the sun, and for a moment it fell upon him, casting his
shadow over the hill-edge, a statuesque, white-clad, unbent figure, with
rolling tresses of grey and streaming beard, looking out.
Then the legions closed upon him and the sun went down.
To the poet the death of Moses is filled with glorious imagery. Nature
is here absorbing a grand portion of her own spirit to give it out again
to other souls. God is the mighty mover of all, but He is indefinite--in
the wind bearing melancholy sounds and bodes, in the waters lapping the
shingle or rushing over the great rocks, in the vague dreams which
possess him as he gazes out upon the countless planets, in the wild
yearning to be solved by that overpowering impregnation of silence.
To the painter it all comes in a vision of colour; it is a blending of
spirit harmonies, rainbow shades, a sense of the eye that embodies the
spirit into a definite pleasure. By faith he sees revelations, the
golden streets and crystal rivers, and, above all, the great prismatic
light.
Public-domain text, read in full here on John Shaqi.
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