Reade (Charles), 176, 177 Realism in art, 34 Reflection, 255, 256 Relief, 128 Rembrandt, 20, 23, 35, 39-42, 45-50, 65, 86, 129, 157, 159, 234, 239, 240, 243-5 Reni (Guido), 238, 239 Repose, 256 Retouching, 20 Reuwich (Erhard), 155 Reynolds (Sir J.), 15, 19, 83, 236 Riggers, 185 'Rivers of France' series, 162 Road, effect of light upon, 127 Roman ships, 137 Romance, age of, 281 Rosa (Salvator), 78, 85, 248 Rubens (Sir Peter Paul), 15, 19, 80, 85, 238, 240, 243 Rules, 79 Ruskin (John), 32, 53, 56-8, 65, 66, 70-2, 83-7, 91, 101, 179, 186, 193, 239, 244, 249 Sacred Art, 250 Sacrifice of art, 252 Sandals, 204 Sarony, his photographs, 27 Sarto (Andrea del), 239, 240 Savage art, 102, 214-7 Science, blunders of, 278; cruelty of, 290 Scott (David), 89 'Scribner's Monthly,' 54 Scumbling, 81; for oak, 181 Seavey, his backgrounds, 27 Second coating, 178 Shadows, gradation of, 129 Shakespeare, 70, 101, 104, 160 Shelley, 73, 89 Ships, 133, 134, 140, 161; Greek, 137; Roman, 137; contrast of, 142-5 Signorelli (Luca), 247 Sketching from nature, 31 Sky pictures, 280, 282-4 Small (William), 157, 165 Social problems, 314-5 Soul in art, 255 Spagnoletto, 242 Spirit of beauty, 289 Stages of painting, 67; of the globe, 279, 280 Stanfield (W. C.), 146 Stanley (H. M.), 29 Stars, 277 Stippling, 92 Stirling-Maxwell (Sir W.), 236 'Stones of Venice,' 71 Studio visiting, 88 Style, 82 Styles, 184 Subject, confidence in, 221 Subtlety, 217 Swinburne, 217 Symbol of art, 291 Teniers (David), 35, 47-9, 243, 268 Third coating, 178 Thomson (D. C.), 150 Thomson (Joseph), 29 Tiepolo, 246 Time for art course, 116 Tintoretto, 80, 85, 247, 263, 264 Titian, 15, 85, 91, 247, 263, 264 Tone, 81 Tones, half, 19 Tools required for oak graining, 181 Torchlight, effect of, 121 Trees, 286, 287 True aims of art, 108, 252 Tunny, 53 Turner (J. M. W.), 32, 65, 70, 86, 157, 161, 173, 244, 248, 249; his influence on illustrative art, 163 Tyndall, 214 Uses of Art, 117, 118 Utilitarianism, 305, 306 Vandyke (Sir A.), 36, 80, 243, 244 Velasquez, 236, 240, 241, 247 Viking craft, 138, 139 Vinci (Leonardo da), 115, 246 Vision, distortion of, 33 Walnut, how to grain, 188, 189 Water-colour painting, 92 Weyden, 243 Whistler (J. McNeill), 20, 86, 91, 236, 245 Whitman (Walt), 44, 45, 217 Wilkie (Sir David), 50, 243 Wohlgemuth (Michael), 35 Wood, drawing on the, 157 Word-painting, 303, 304, 311 Wordsworth, 89 Worth, 99, 100 Wyllie (C. W.), 165 Youth and Age, 313 Zola, 43, 44, 221 Zurbaran (Francisco), 242 Zwanenburg, 35 THE END PRINTED BY SPOTTISWOODE AND CO., NEW-STREET SQUARE LONDON [Illustration] FOOTNOTES: