Where England sets her feet: a romanceCapes, Bernard
History
Where England sets her feet: a romance
Capes, Bernard
Adventure stories; Great Britain -- History -- Elizabeth, 1558-1603 -- Fiction; Historical fiction
He had been standing so passive as to lull his guards into a sense of
false security, and the rigour of their hold on his arms had a little
relaxed itself in consequence. He was as lithe and muscular as a young
leopard. With a sudden leap and wrench he tore himself free and,
before they could recover from their surprise, was bounding for the
thread of light. He gained this small advantage, that in the dusk, and
the confusion of the general rush to recapture him, he had time,
before he was beset, to draw his sword; but he could do no more, since
an obstacle he had not foreseen, in the shape of a short flight of
steps leading to the curtains, baulked and brought him to bay. He laid
one fellow’s cheek open with his blade; but he had no play in the
crush for his sword arm, and could only shorten his weapon and stab
ineffectively, as, feeling for the steps with his heels, he essayed to
mount them backwards one by one. The noise was at its height--the
scuffle of feet, the clash of steel, the calling of the officer to his
men to take him alive o’ God’s name, and do him no hurt on peril of
their heads--when the curtains at Brion’s back parted, letting in a
faint gush of light, and with it the apparition of a white
panic-struck face. The boy glanced round, saw the beast who had
entrapped him, and, with a mighty effort and a cry of rage, leapt the
remaining step and fell tooth and nail upon his enemy. The man went
down under him with a yelp like a bitten dog’s, and lay writhing. But
the end was come. Before the youngster could seize his blade into
position, the whole party was upon him, and he was severed from his
prey and set, torn and dishevelled on his feet, his sword wrested from
him and his arms bound behind his back. And there he stood, panting
and scornful, jeering at the pitiful figure of the other, as they set
him too, shaking like a jelly, upright.
‘See the meal-faced pitcher-bawd,’ cried he, ‘how his valour fits with
his profession!’
There was a stifled laugh or two, and the man, casting a fell venomous
look about him, made a mute gesture to the others to follow, and went
on himself before. The curtain had been torn aside in the fracas,
revealing a narrow dim-lit passage down which the whole party made its
way, the prisoner held secure in its midst. But Brion had no further
thought to escape, and, breathed and defenceless as he was, allowed
himself to be carried along unresisting.
Deep into the bowels of the building, like the passage tunnelled in a
pyramid, ran the corridor, until at length it opened into a lofty
stone hall, octagonal in shape, and having a peaked timbered roof with
coats of arms emblazoned in its triangles, at whose apex an iron
lantern, caging rather than releasing the little daylight which sought
to enter and explore the glooms beneath, just enabled it to dilute
their melancholy, and to reveal in each of the eight sections of the
wall a heavy curtain hanging, denoting the presence of a room beyond.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account