Where England sets her feet: a romanceCapes, Bernard
History
Where England sets her feet: a romance
Capes, Bernard
Adventure stories; Great Britain -- History -- Elizabeth, 1558-1603 -- Fiction; Historical fiction
He gave a violent start--not of panic, for he was long familiar now
with that weird throaty chuckle and its cause, but of mere nervous
repercussion--and, coming erect, found himself caught at the back.
Some part of his dress had hitched in a projection of the wood-work,
and held him prisoner. He pulled, and the object, whatever it was,
appeared to come away. Suddenly it yielded, and fell heavily at his
heels. He turned to see what it was, and discovered that he had drawn
out from the circumference of the wheel one of the short boards or
panels of which it was composed.
For the moment, stooping to lift the thing, he imagined that its
detachment was due to mere accident or decay; but suddenly, as he idly
handled it, his fingers touched on something which set him oddly
thinking. This was a notch or groove on the _underside_ of the
board--representing the _outside_ of the wheel--which had been
intentionally cut there, it would seem, to facilitate its removal. But
for what purpose? A little excited, he made a quick examination of the
gap exposed, and saw at once that chance had led him on a curious
discovery. The board, a stout one, some eighteen inches in width, was
furnished with a tongue on each side, the two being formed to slide
into corresponding grooves cut in the adjacent sections, in the manner
of a ‘match-joint,’ and it was fitted on its outer edge, like a
box-lid, with a flange which, when the panel was pushed home, came up
flush with the wheel-rim. Brion tried it in and out, and found that it
ran quite easily. But why was it there, and what was the meaning of
the notch?
Now the lowest segment of the wheel, as already said, turned, for a
foot or more below the surface, in a little oblong pit cut to receive
it in the pavement, as if some miscalculation of the diameter had
necessitated that stratagem. Brion had always so looked upon it as a
makeshift, but now he began to wonder. After a minute of thrilling
reflection, he slid out the panel, laid it aside, and, turning the
wheel until the gap in it came over the pit, steadied the slowly
rotating monster and looked down. And instantly, with a little shock
of the blood, he understood. The pit was no shallow depression made to
receive the wheel, but the entrance to an underground chamber of
unknown depth and significance.
Public-domain text, read in full here on John Shaqi.
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