Where the forest murmurs : $b Nature essaysSharp, William
History
Where the forest murmurs : $b Nature essays
Sharp, William
Natural history -- Outdoor books
In the Isles seaweed has many local names, but is always mainly divided
into Yellow Tails, Dark Tails, and Red Tails (_Feamainn bhuidhe_,
_feamainn dubh_, and _feamainn dearg_). The first comprise all the
yellowish, light-brown, and olive-brown seaware; the second all the
dark-green, and also all green wrack; the third, the red. The common
seaware or kelp or tang (_Fucus vesiculosus_) is generally called
_propach_, or other variant signifying tangled: and the bladder-wrack,
_feamainn bholgainn_ or _builgeach_, ‘baggy-tails.’ I have at times
collected many local names of these weeds, and not a few superstitions
and legends. Naturally, the most poetic of these are connected with the
_Chorda filum_ or Dead Man’s Hair, which has a score of popular names,
from ‘corpsy-ropes’ to the occasional Gaelic _gillemu lunn_, which may
be rendered ‘the wave’s gillie’ or ‘servant of the wave’: with the
drifted gulf-weed, whose sea-grapes are called _uibhean sìthein_, fairy
eggs, and are eagerly sought for: and with the _duileasg_, or dulse.
Even to this day, in remote parts, an ancient seaweed-rite survives
in the propitiatory offerings (now but a pastime of island children)
to the Hebridean sea-god Shony at Samhein (Hallowmass). This Shony,
whose favours were won by a cup of ale thrown into the sea in the dark
of the night, is none other than Poseidon, Neptune, Manan; for he is
the Scandinavian sea-god _Sjoni_, viking-brought from Lochlin in the
far-off days when the Summer-sailors raided and laid waste the Gaelic
Isles.
It is singular how rarely seaweed has entered into the nomenclature and
symbology of peoples, how seldom it is mentioned in ancient literature.
Among our Gaelic clans there is only one (the M’Neil) which has seaware
as a badge. Greek art has left us a few seaweed-filleted heads of
Gorgons, and to sea-wrack the Latin poets have once or twice made but
passing and contemptuous allusion. In the Bible (‘whaur ye’ll find
everything frae a bat to a unicorn,’ as an old man said to me once)
there is one mention of it only, in Jonah’s words: ‘The depths closed
me round about, the weeds were wrapped about my head.’
THE MILKY WAY
With the first sustained breath of frost the beauty of the Galaxy
becomes the chief glory of the nocturnal skies. But in midsummer even
what amplitude of space, what infinite depths it reveals, and how
mysterious that filmy stardrift blown like a streaming banner from
behind the incalculable brows of an unresting Lord of Space, one
of those Sons of the Invisible, as an oriental poet has it, whose
ceaseless rush through eternity leaves but this thin and often scarce
visible dust, ‘delicate as the tost veil of a dancing girl swaying
against the wind.’ Perhaps no one of our poets, and poetry ancient
and modern and of every country and race is full of allusions to the
Galaxy, has more happily imaged it in a single line than Longfellow has
done in
“Torrent of light and river of the air.”
Public-domain text, read in full here on John Shaqi.
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