Where the forest murmurs : $b Nature essaysSharp, William
History
Where the forest murmurs : $b Nature essays
Sharp, William
Natural history -- Outdoor books
There is silence now in the woods. That spirit of the south wind, that
phantom voice of the green tides of May, has passed: that which was
a wandering dream is become a haunting memory. Whence is the cuckoo
come, whither does the cuckoo go? When our leaves grow russet and the
fern clothes herself in bronze and pale gold, what land hears that
thrilling call in ancient groves, or above old unvisited forests, or
where arid declivities plunge into the gathering sands of the desert?
Whither is gone Sinlinda, the summer bird, as the Esthonians call her:
she who has been a voice in the far Orkneys (a daughter, it may be,
of that cuckoo-queen who bore Modred to King Arthur, Modred the Pict
who afterward wrought so great evil upon Arthur and his knights), or
cried the sighing of vain love above the hills of the Gael, or in
Sweden swung on the north wind as the _sorg-gök_, uttering ‘sorrow,’
or floated out of the east as the _tröste-gök_, calling ‘consolation’?
When Finland loses her, and the Baltic peasant no more counts with
dread the broken cries, and she has passed from the Irish valleys,
so that men and women are safe for another year from the wildness of
wild love, whither is she gone? Like a dream her voice fades from
Broceliande, is heard no more by Fontarabia, has no echo in the wood
of Vallombrosa. In the last reaches of the Danube she no longer mocks
love; above the Siberian steppe the exile no more hears her ironic
_Go! Go!_: from the dim Campagna she is lifted into silence, _sospir’
d’ amore_: she is not heard across the waters of Corinth from that
fallen temple where Zeus took her form upon him, nor is the shadow of
her wings in that wild mountain-valley of Mykenai, where Agamemnon
and Clytaimnestra sleep, where once the marble statue of divine Hera
stood bearing on a sceptre her perilous image. Where, then, is she
gone, she who from the dim Asian valleys to the Aztec wilderness, from
one world to another, is the mysterious voice of wandering love; she
who is, in one place, to be hailed with hymns of gladness, in another
to be hearkened to with bowed head or averted eyes? For thus it is,
even to-day, among the ancient remnant in Mexico and the Californian
wilds, who hear with terror that foreboding flute-like voice calling
out of the unseen world: thus it was in the Himalayan solitudes of old
when the Sanskrit villagers hailed the cuckoo as a divine messenger,
_Kakila_, the bird who knows all things, not only what has happened,
but what shall happen.
Public-domain text, read in full here on John Shaqi.
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