Fox hunting; Horses; United States -- History -- Civil War, 1861-1865 -- Personal narratives
I stood before the west front of the cathedral, which was then bathed
in the lingering light of the after-day, its great central window
gleaming as though the altar lamps were still burning behind it, and
the western spires almost losing themselves in the sky. The quaint
effigies that fill the niches across the whole façade lost their
grotesqueness in the dusk, and seemed really the sacred sculptures they
were meant to be. Fair though this rich front must be at high midday,
it needs for its full beauty the half-light of a Northern evening. As
seen on that rarest of all evenings, it was a fit introduction to the
subdued glory which greeted us in the dim religious light to which we
entered as the great central door closed behind us.
We stood, uncovered and reverent, beneath the vaulted nave, looking
down the long curved aisle, bordered by the majesty of the clustered
columns, through the light illuminated screen of the choir, full upon
the sculptured and gem-set alabaster reredos, above and beyond which
stood the famed group of windows of the lady chapel, mellowed by the
light of the streaming full moon.
Rich in the blended mosaic of the floor, in the dimmed canopy overhead,
in the lightly arched gallery of the triforium, in the mellow
cross-lights of the side windows, in the sombre carvings of the choir,
and above all in the marvellous glass of the chapel, it was the very
perfection of a worshipful church.
It was too nearly dark to examine the details of the decoration, and we
wandered down the aisles, remarking here and there the bruised statues
of the tombs, and halting before the sleeping children of Chantrey to
marvel how much somnolent repose can be cut in chiselled stone.
"But come," said the gentle Brother, "we have only light enough left
for the storied glass which alone of all the richness of the old church
outlived its desecration, and, as by a miracle, was preserved to tell
these later generations of the higher art our forefathers' sons forgot."
As he spoke, we stood within the charmed light of the nine windows of
the apse,--windows which have perhaps no remaining equals in the world,
and before which one can only bow in admiration and regret for an art
that seems forever lost. Holding me fast by the arm, he went on:--
"In the restoration of the church, the spandrels of the old windows
were rebuilt, and the frames were set with plain glass, to the sad
defacement of the edifice; and so they stood for nigh two hundred
years, no art being equal to their worthy replacement, and no ancient
store to the supplying of so large a demand.
"But listen, now, how the hand of Heaven sheltered its own, and how
true servants of the Church are ever guided to reclaim its lost
splendor.
Public-domain text, read in full here on John Shaqi.
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