To Laskowicz, as often as he gazed at her, there came recollection of his childhood days. He and his older brother, who, a few years before falling into consumption had committed suicide on the Riviera, were the sons of a woman who conducted near one of the churches in Warsaw a shop for the sale of consecrated wax candles, medals, rosaries, and pictures. Owing to this, both brothers were, in a way, bred upon the church portals and were in constant relations with the priests. Once it happened that the aged canon, the rector of the church, bought at an auction an alabaster statuette of some saint, and for an unknown reason took it for granted that it was not only the work, but the masterpiece of Canova. The statuette, which, in reality, was pretty and finely executed, after consecration, was placed in a separate niche near one of the altars under the name of Saint Apollonia and from that time the gentle old rector surrounded it with great worship as a holy relic and with more particular care as the greatest church rarity. He led his guests and more pious parishioners before it and commanded them to admire the work and got angry if any one ventured to make any critical observation. In fact, the admiration of the canon was shared by the organist, the sexton, the church servants, and both boys. The thought that Panna Marynia amidst her environment was such a Saint Apollonia unwittingly suggested itself to Laskowicz. For that reason, after the first impression he called her "a saintly doll." But he also recalled that when in the course of time he lost his faith--and he lost it in the gymnasium where, speaking parenthetically, he completed his studies with the aid of the venerable canon--he often was beset with a desire to demolish that alabaster statuette. At present he was consumed with a greater desire, for it bordered upon a passion, to destroy this living one. And yet he did not in the least bear her any hatred. On the contrary, he could not resist the charm of this maiden, so loved by all, any more than one can resist the charm of dawn or spring. It even happened that what vexed and exasperated him also at the same time attracted him towards her with an uncontrollable force. Consequently he was drawn to her by her appurtenance to this world, the existence of which he deemed a social injustice, crime, and wrong; she attracted him in spite of his internal anguish, and even by the thought that beside such a flower the proletariat was but manure. A lure for him was her refined culture and her art, though he regarded such things as superfluous and unnecessary for people of deflorated life; the fascination was her utter dissimilarity to the women whom he met up to the time of his arrival at the village, and her whole form was an intoxication. Never before was he under the same roof with a being like her; therefore he forgot himself and lost his head at the sight of her, and though he had not yet familiarized himself with the power which