And this, a few days later, she actually did, to the carefully
concealed elation of Mr. Lispenard's elderly housekeeper, who, after
ushering Miss Maitland into the high-ceiled parlor, betook herself to
the region below stairs, where she definitely expressed herself to the
cook.
"Sure it's a divil the masther is wid the ladies till this very
day--and him only about four minutes inside of eighty!"
"A lady calling, is it?" inquired the cook, with interest.
"Sure--a young wan. It's the ould bhoys have the way wid them, after
all's said and done."
Meanwhile in the old-fashioned reception room with its tinkly crystal
chandelier aquiver, as it were, in sympathetic excitement, the old
gentleman was greeting his young guest.
"Old age!" he said, with a smile of half-mock ruefulness. "Old age!
When ladies come to call on us, we understand, we old beaux, that it is
because we are no longer considered dangerous. Yet the bitterness of
that knowledge, were it twice as bitter as it is, would be more than
offset by my honor and pleasure in receiving you."
Helen beamed on him for reply, and his swift, penetrating eyes observed
her.
"You have grown up to be beautiful, my child," observed old Mr.
Lispenard. "There is nothing about you of this new generation, which I
hate. Indeed, if you would wear crinolines and a curl of that dark
hair on your shoulder, you would be quite perfect."
His young caller blushed a little, but she laughingly retorted:--
"Did you say you had ceased to be dangerous? No one of my generation
could have said that. You will turn my head, sir--and isn't that being
dangerous? For the heads of my generation, the new generation, as you
call it, are not easy to turn."
"No. True enough," said Mr. Lispenard, nodding with cynical approval.
"Their heads are on so tight there is no turning them; no flexibility
about the young people to-day. The maids are sad enough, but the young
men are worse. Gallants is what we used to call young men, but they
make none to-day that could answer to that term. Gallants! There is
no more courtesy in the land than among the fishes below sea!"
Helen felt inclined to defend her contemporaries, but as she looked at
the old aristocrat before her and contrasted his manner with that of
some of the men in her own set, she did not know quite what to say.
Pelgram's poses seemed cheap and shallow, and Charlie Wilkinson's
free-and-easy carriage might have its virtues, but it certainly was not
marked by dignity, nor did it make particularly for respect.
"They have no reverence for age, none for the great things, the great
days that some of us remember. I confess that I do not like them. I
am quite an old man, and for some years past I have met scarcely a
young man whom my mother would have permitted in her drawing room."
Public-domain text, read in full here on John Shaqi.
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