White Heather: A Novel (Volume 2 of 3)Black, William
General
White Heather: A Novel (Volume 2 of 3)
Black, William
Scotland -- Social life and customs -- Fiction
But the farther out he got the more desolate and desolating became the
scene around him. Here was neither town nor country; or rather, both
were there; and both were dead. He came upon a bit of hawthorn-hedge;
the stems were coal-black, the leaves begrimed out of all semblance to
natural foliage. There were long straight roads, sometimes fronted by a
stone wall and sometimes by a block of buildings—dwelling-houses,
apparently, but of the most squalid and dingy description; the windows
opaque with dirt; the ’closes’ foul; the pavements in front unspeakable.
But the most curious thing was the lifeless aspect of this dreary
neighbourhood. Where were the people? Here or there two or three
ragged children would be playing in the gutter; or perhaps, in a dismal
little shop, an old woman might be seen, with some half-withered apples
and potatoes on the counter. But where were the people who at one time
or other must have inhabited these great, gaunt, gloomy tenements? He
came to a dreadful place called Saracen Cross—a very picture of
desolation and misery; the tall blue-black buildings showing hardly any
sign of life in their upper flats; the shops below being for the most
part tenantless, the windows rudely boarded over. It seemed as if some
blight had fallen over the land, first obliterating the fields, and then
laying its withering hand on the houses that had been built on them. And
yet these melancholy-looking buildings were not wholly uninhabited; here
or there a face was visible—but always of women or children; and perhaps
the men-folk were away at work somewhere in a factory. Anyhow, under
this dull gray sky, with a dull gray mist in the air, and with a strange
silence everywhere around, the place seemed a City of the Dead; he could
not understand how human beings could live in it at all.
At last, however, he came to some open spaces that still bore some
half-decipherable marks of the country, and his spirits rose a little.
He even tried to sing ’O say, will you marry me, Nelly Munro?’—to force
himself into a kind of liveliness, as it were, and to prove to himself
that things were not quite so bad after all. But the words stuck in his
throat. His voice sounded strangely in this silent and sickly solitude.
And at last he stood stock-still, to have a look round about him, and to
make out what kind of a place this was that he had entered into.
Public-domain text, read in full here on John Shaqi.
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