And he turned on his heel and retraced his steps toward the door.
Mrs. Richmond paused to look pityingly after him; he was slightly
bent; his step had lost its spring. Only once before had she seen
him so harassed--the time when he was trying to negotiate apparently
impossible loans to save his fortune from ruin and himself from prison.
She hated him with what she believed to be an implacable hate. In
fact, she hated him only because he would not let her love him; he
fascinated her, a woman of the sort that crave a master and really love
the servitude they profess to loathe. She rejoiced in his defeats; she
delighted to waste his money where she could not sequester it. But her
soul did homage to him as its lord. She looked after him longingly; she
would have given a good part of her possessions to be an unseen and
unsuspected spectator at the scene between him and Roger. For she would
have staked all she had on Roger’s administering to him the defeat of
his life.
XIX
ROGER SORE BESET
Roger still seated on his front veranda behind the curtain of creepers,
was not a little astonished to see that the solitary occupant of the
runabout stopping at his gate was Beatrice’s father. His astonishment
did not decrease when the little big financier, advancing briskly up
the gravel walk edged by flowering plants, hailed the first clear view
of his face with a smile of the utmost geniality--the greeting of an
old and dear friend.
“I’ve come about that picture,” Richmond hastened to explain. “I
wish--for my own sake--I’d seen it sooner. If you’ll pardon an old
man--at least, a much older man than yourself--for being quite
frank--it has given me an entirely different opinion of you. It
has made me very proud of my acquaintance with you. I know that’s
blunt--but it’s sincere.”
Roger was as fond of praise as the next human being. He had cultivated
the philosophy of indifference only to uncritical censure. He blushed
and stammered out some awkward words of thanks--certainly not the less
awkward for the uneasiness Richmond’s manner had raised within him.
“My wife and my daughter were quite right and I was wrong--stupidly
wrong,” continued Richmond. They were seated now. “I’m not an art
expert--and not imagining I was or pretending to be has saved me
thousands of dollars and a lot of fake art stuff. But, at the same
time, a man who amounts to anything in any line always appreciates good
work in every other line--whether he likes it or not. So--I want that
picture. Isn’t there anything I could say or do that would induce you
to change your mind and let me have it?”
Roger’s brow clouded again; a strange, absent look was in his eyes--the
eyes of an artist, sensitive, sympathetic, penetrating, yet devoid of
the least suggestion of craft. “I’ve been thinking that matter over,”
said he with an effort. “I have decided not to take the picture with
me. So--you can have it--if you’ll accept it.”
Public-domain text, read in full here on John Shaqi.
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