In the wall opposite the elevator, and the width of the rather wide
room from it, was a long mirror. No man could well have been freer from
physical vanity than this big, self-conscious Roger Wade. Beyond his
human duty of making himself inoffensive to the eye in the matter of
clothing, he did nothing whatever toward personal adornment. Yet as
Beatrice advanced he was primping industriously and unconsciously. To
occupy his agitated mind he was standing before the mirror smoothing
his hair, arranging his tie, fussing with the hang of the big, loose,
dark-blue suit that gave his splendid figure an air of freedom. Their
eyes met in the glass. He did not turn, but gazed at her--and who
would not have been charmed by a creature so redolent of springtime
freshness, from the yellow roses in her hat, looking as if they were
just from the garden, to the scrupulously neat effect of stockings and
ties? She stood beside him, her yellow roses nodding in line with his
ear. And they made a delightful picture--a rare harmony of contrasts
and symmetries.
She laughed radiantly. “Chang!” she cried.
He was straightway so disconcerted that her amusement could not but
increase. “Through primping?” mocked she.
“I think so,” he replied. “I see you attended to all that thoroughly
before you came down.”
“Yes,” said she with the air of half-serious, half-jesting complacency
she could carry off so well. “I’m ready to the last button. Let’s sit
over there--by the window.” Then, as they sat opposite each other: “Why
are you so solemn?”
Again Roger had to struggle to keep himself in hand.
“Why do you avoid looking at me?” laughed she. And so glad was she
to see him again that she had less difficulty than she had feared in
hiding her anxiety, her feeling that she was playing her last stake in
the game that seemed to her to mean lifelong happiness or lifelong
wretchedness.
He colored, but contrived to smile and to look at her. It was an
unsteady gaze, a grave smile. “I’ve come,” said he, “because I wish to
urge you to go back home. Your father and I----”
“Yes, I know,” interrupted she. “Father has been here.”
“And you’re going back?”
“No--no, indeed. I’ve made the first step toward being independent.
I’m going to keep on. Father’s a dear, but he’s not to be trusted. If
he controls he tyrannizes. He might try not to do it, but he could not
help himself. So--I’m to be a dressmaker.”
“What nonsense, Rix!” exclaimed he. “There’s nothing so detestable as
an independent woman--a masculine woman.”
“One that has a will of her own and proposes to the man if she happens
to feel like it?” suggested she, with dancing eyes.
“Well--yes--if you insist on putting it that way.”
“Woman, the weak, the foolish, the clinging--that’s your ideal?” said
she.
He nodded emphatically.
“Isn’t it strange,” said she absently, “that we never fall in love with
our ideals?”
Roger stirred about in his chair, much embarrassed.
Public-domain text, read in full here on John Shaqi.
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