After begging for their kind protection Mr. Zimoveykin showed his livelier side, grew very cheerful, kissed Ustinya Fyodorovna's hands, in spite of her modest protests that her hand was coarse and not like a lady's; and towards evening promised to show the company his talent in a remarkable character dance. But next day his visit ended in a lamentable _dénouement_. Either because there had been too much character in the character-dance, or because he had, in Ustinya Fyodorovna's own words, somehow "insulted her and treated her as no lady, though she was on friendly terms with Yaroslav Ilyitch himself, and if she liked might long ago have been an officer's wife," Zimoveykin had to steer for home next day. He went away, came back again, was again turned out with ignominy, then wormed his way into Semyon Ivanovitch's good graces, robbed him incidentally of his new breeches, and now it appeared he had led Semyon Ivanovitch astray. As soon as the landlady knew that Semyon Ivanovitch was alive and well, and that there was no need to hunt for his passport, she promptly left off grieving and was pacified. Meanwhile some of the lodgers determined to give the runaway a triumphal reception; they broke the bolt and moved away the screen from Mr. Prohartchin's bed, rumpled up the bed a little, took the famous box, put it at the foot of the bed; and on the bed laid the sister-in-law, that is, a dummy made up of an old kerchief, a cap and a mantle of the landlady's, such an exact counterfeit of a sister-in-law that it might have been mistaken for one. Having finished their work they waited for Semyon Ivanovitch to return, meaning to tell him that his sister-in-law had arrived from the country and was there behind his screen, poor thing! But they waited and waited.