White nights, and other storiesDostoyevsky, Fyodor
General
White nights, and other stories
Dostoyevsky, Fyodor
Dostoyevsky, Fyodor, 1821-1881 -- Translations into English; Russian fiction -- Translations into English
But the period of my dissipation would end and I always felt very sick
afterwards. It was followed by remorse--I tried to drive it away: I felt
too sick. By degrees, however, I grew used to that too. I grew used to
everything, or rather I voluntarily resigned myself to enduring it. But
I had a means of escape that reconciled everything--that was to find
refuge in "the good and the beautiful," in dreams, of course. I was a
terrible dreamer, I would dream for three months on end, tucked away in
my corner, and you may believe me that at those moments I had no
resemblance to the gentleman who, in the perturbation of his chicken
heart, put a collar of German beaver on his great coat. I suddenly
became a hero. I would not have admitted my six-foot lieutenant even if
he had called on me. I could not even picture him before me then. What
were my dreams and how I could satisfy myself with them--it is hard to
say now, but at the time I was satisfied with them. Though, indeed, even
now, I am to some extent satisfied with them. Dreams were particularly
sweet and vivid after a spell of dissipation; they came with remorse and
with tears, with curses and transports. There were moments of such
positive intoxication, of such happiness, that there was not the
faintest trace of irony within me, on my honour. I had faith, hope,
love. I believed blindly at such times that by some miracle, by some
external circumstance, all this would suddenly open out, expand; that
suddenly a vista of suitable activity--beneficent, good, and, above all,
_ready made_ (what sort of activity I had no idea, but the great thing
was that it should be all ready for me)--would rise up before me--and I
should come out into the light of day, almost riding a white horse and
crowned with laurel. Anything but the foremost place I could not
conceive for myself, and for that very reason I quite contentedly
occupied the lowest in reality. Either to be a hero or to grovel in the
mud--there was nothing between. That was my ruin, for when I was in the
mud I comforted myself with the thought that at other times I was a
hero, and the hero was a cloak for the mud: for an ordinary man it was
shameful to defile himself, but a hero was too lofty to be utterly
defiled, and so he might defile himself. It is worth noting that these
attacks of the "good and the beautiful" visited me even during the
period of dissipation and just at the times when I was touching the
bottom. They came in separate spurts, as though reminding me of
themselves, but did not banish the dissipation by their appearance. On
the contrary, they seemed to add a zest to it by contrast, and were only
sufficiently present to serve as an appetizing sauce. That sauce was
made up of contradictions and sufferings, of agonizing inward analysis
and all these pangs and pin-pricks gave a certain piquancy, even a
significance to my dissipation--in fact, completely answered the purpose
of an appetizing sauce.
Public-domain text, read in full here on John Shaqi.
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