Inheritance and succession -- Fiction; London (England) -- Fiction; Man-woman relationships -- Fiction
“Madame Jean? who is Madame Jean?” said Herbert, whispering to his aunt,
after he had bowed to the stranger. Giovanna was anxious about this
meeting, and her ears were very sharp, and she heard the question. Her
great black eyes shone, and she smiled upon the young man, who was more
deeply impressed by her sudden appearance than words could say.
“Monsieur,” she said with a curtsey, smiling, “it is the little child
who is the person to look at, not me. Me, I am simple Giovanna, the
widow of Jean; nobody; but the little boy is most to you: he is the
heir.”
“The heir?” said Herbert, turning a little pale. He looked round upon
the others with bewilderment, asking explanations; then suddenly
recollecting, said, “Ah, I understand; the next of kin that was lost. I
had forgotten. Then, Aunt Susan, this is _my_ heir?”
“Yes,” she said, with blanched lips. She could not have uttered another
word, had it been to deliver herself and the race from this burden
forever.
Giovanna had taken the child into her arms. At this moment she swung him
down lightly as a feather on to the raised floor of the porch, where
they were all standing. “Jean,” she cried, “ton devoir!” The baby turned
his blue eyes upon her, half frightened; then looked round the strange
faces about him, struggling with an inclination to cry; then, mustering
his faculties, took his little cap off with the gravity of a judge, and
flinging it feebly in the air, shouted out, “Vive M. ’Erbert!” “Encore,”
cried Giovanna. “Vive Monsieur ’Erbert!” said the little fellow loudly,
with a wave of his small hand.
This little performance had a very curious effect upon the assembled
party. Surprise and pleasure shone in Herbert’s eyes; he was quite
captivated by this last scene of his reception; and even Everard, though
he knew better, was charmed by the beautiful face and beautiful attitude
of the young woman, who stood animated and blooming, like the leader of
an orchestra, on the lawn outside. But Reine’s suspicions darted up like
an army in ambush all in a moment, though she could not tell what she
was suspicious of. As for Miss Susan, she stood with her arms dropped by
her side, her face fallen blank. All expression seemed to have gone out
from it, everything but a kind of weary pain.
“Who is she, Reine? Everard, who is she?” Herbert whispered anxiously,
when, some time later, the three went off together to visit their
childish haunts; the old playroom, the musicians’ gallery, the ancient
corridors in which they had once frolicked. Miss Susan had come upstairs
with them, but had left them for the moment. “Tell me, quick, before
Aunt Susan comes back.”
“Ah!” cried Reine, with a laugh, though I don’t think she was really
merry, “this is the old time back again, indeed, when we must whisper
and have secrets as soon as Aunt Susan is away.”
Public-domain text, read in full here on John Shaqi.
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