Whitman, Walt, 1819-1892 -- Criticism and interpretation
With all Whitman's glorification of pride, self-esteem, self-reliance,
etc., the final lesson of his life and work is service, self-denial,--the
free, lavish giving of yourself to others. Of the innate and essential
nobility that we associate with unworldliness, the sharing of what you
possess with the unfortunate around you, sympathy with all forms of life
and conditions of men, charity as broad as the sunlight, standing up for
those whom others are down upon, claiming nothing for self which others
may not have upon the same terms,--of such nobility and fine manners, I
say, you shall find an abundance in the life and works of Walt Whitman.
The spirit of a man's work is everything; the letter, little or nothing.
Though Whitman boasts of his affiliation with the common and near at hand,
yet he is always saved from the vulgar, the mean, the humdrum, by the
breadth of his charity and sympathy and his tremendous ideality.
Of worldliness, materialism, commercialism, he has not a trace; his only
values are spiritual and ideal; his only standards are the essential and
the enduring. What Matthew Arnold called the Anglo-Saxon contagion, the
bourgeois spirit, the worldly and sordid ideal, is entirely corrected in
Whitman by the ascendant of the ethic and the universal. His democracy
ends in universal brotherhood, his patriotism in the solidarity of
nations, his glorification of the material in the final triumph of the
spiritual, his egoism issues at last in complete otherism.
A race that can produce a man of his fibre, his continental type, is yet
at its best estate. Did one begin to see evil omen in this perpetual
whittling away and sharpening and lightening of the American type,--grace
without power, clearness without mass, intellect without character,--then
take comfort from the volume and the rankness of Walt Whitman. Did one
begin to fear that the decay of maternity and paternity in our older
communities and the falling off in the native population presaged the
drying up of the race in its very sources? Then welcome to the rank
sexuality and to the athletic fatherhood and motherhood celebrated by
Whitman. Did our skepticism, our headiness, our worldliness, threaten to
eat us up like a cancer? did our hardness, our irreligiousness, and our
passion for the genteel point to a fugitive, superficial race? was our
literature threatened with the artistic degeneration,--running all to art
and not at all to power? were our communities invaded by a dry rot of
culture? were we fast becoming a delicate, indoor, genteel race? were our
women sinking deeper and deeper into the "incredible sloughs of fashion
and all kinds of dyspeptic depletion,"--the antidote for all these ills is
in Walt Whitman. In him nature shows great fullness and fertility, and an
immense friendliness. He supplements and corrects most of the special
deficiencies and weaknesses toward which the American type seems to tend.
He brings us back to nature again.
Public-domain text, read in full here on John Shaqi.
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