Take any of Whitman's irregular-flowing lines, and clip and trim them, and compress them into artificial verse-forms, and what have we gained to make up for what we have lost? Take his lines called "Reconciliation," for instance:-- "Word over all beautiful as the sky, Beautiful that war and all its deeds of carnage must in time be utterly lost, That the hands of the sisters Death and Night incessantly softly wash again, and ever again, this soil'd world; For my enemy is dead, a man divine as myself is dead, I look where he lies white-faced and still in the coffin--I draw near, Bend down, and touch lightly with my lips the white face in the coffin." Or take his poem called "Old Ireland:"-- "Far hence amid an isle of wondrous beauty, Crouching over a grave an ancient sorrowful mother, Once a queen, now lean and tatter'd, seated on the ground, Her old white hair drooping, dishevel'd, round her shoulders, At her feet fallen an unused royal harp, Long silent, she, too, long silent, mourning her shrouded hope and heir, Of all the earth her heart most full of sorrow because most full of love. "Yet a word, ancient mother, You need crouch there no longer on the cold ground with forehead between your knees, Oh, you need not sit there veil'd in your old white hair so dishevel'd, For know you the one you mourn is not in that grave, It was an illusion; the son you loved was not really dead, The Lord is not dead, he is risen again young and strong in another country. Even while you wept there by your fallen harp by the grave, What you wept for was translated, pass'd from the grave, The winds favor'd and the sea sail'd it, And now with rosy and new blood, Moves to-day in a new country." Or take these lines from "Children of Adam:"-- "I heard you solemn-sweet pipes of the organ as last Sunday morn I pass'd the church, Winds of autumn, as I walk'd the woods at dusk I heard your long-stretch'd sighs up above so mournful, I heard the perfect Italian tenor singing at the opera, I heard the soprano in the midst of the quartet singing; Heart of my love! you, too, I heard murmuring low through one of the wrists around my head, Heard the pulse of you, when all was still, ringing little bells last night under my ear." Put such things as these, or in fact any of the poems, in rhymed and measured verse, and you heighten a certain effect, the effect of the highly wrought, the cunningly devised; but we lose just what the poet wanted to preserve at all hazards,--vista, unconstraint, the effect of the free-careering forces of nature.