In such mood one day in the garden room the talk led up to the story of
Lazarus and Dives, to the selfish luxury in which the latter had lived,
his hard-heartedness, his terrible punishment, and in Hades his cry for
mercy, if not for himself, yet for his brothers. After uttering many
things of deepest interest, the poet sat silent with head bent and eyes
upon the flower flame which he loved so well, and which in some way
seemed to inspire him. Suddenly, he turned upon his hearer, his eyes
kindled into splendor by the glow of his thought which flashed upon him
and burst into instant speech.
“He would not stay there long,” he said of Dives; “he had begun to
think of his brothers!”
* * * * *
Two visitors came to the poet’s house one day and while waiting for him
to appear, one of them picked up the poem, “The Eternal Goodness,” then
just published, and reading it aloud remarked, “Whittier could not have
written that thirty years ago.”
It was true. As Whittier’s feet had climbed the steeps of
self-sacrifice, the horizon of the Eternal had ever widened before his
eyes. Many men has he trained in faith and leadership.
For while men’s minds struggled with questions as to the mind and
methods of God, Whittier from the Spirit within him sang of the heart
of God. Neither mete nor bound of creed could hold him whose communion
was with the Spirit itself. His last message--“Love to all the world,”
was the seal of those years of spiritual communion with Him who came to
save the world.
In recalling those inspired poems, “The Eternal Goodness,” and “Our
Master,” the remark he made one day to the writer becomes of especial
interest.
“I asked Emerson,” said Whittier, as he sat talking beside the
flower-filled hearth in the garden room, “doesn’t thee believe that
Christ was more than other men--than mere human?” “Yes,” Emerson
answered. “Then I said to him,” continued Whittier, “If thee does, thee
ought to confess it in thy writings.”
“His eye was beauty’s powerless slave,”
Whittier most truly sings of himself.
For never a fair and beautiful thing of earth in his pathway was unseen
by him; and never one did he pass by, save at the command which led
him to higher beauty. No indifference or coldness, no lack of fervor
or of sympathy marred his high nature. His poems are full of belief
in the immanence of the Spirit that to him was no vague and distant
Effulgence, but a present Companion.
This vision of Reality through the mists which clothe the seeming
real was so vivid that to him every mountain was a possible Mount of
Transfiguration needing but the revelation of the One always present to
show forth its splendor.
* * * * *
Public-domain text, read in full here on John Shaqi.
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