It came to her in a flash that her little pal had fallen in love with
this boy and instantly she understood the mystery of Tootles' change of
method and point of view--her moping, her relaxed grip on life. She
meant almost nothing to the boy and knew it.
"But don't you think you might have been to see her since you brought
her back?" she asked.
"I've been very worried," said Martin simply.
"Is that so?" and then, after another pause, this girl said a second
astonishing thing. "I wish I didn't see in you a man who tells the
truth. I wish you were just one of the ordinary sort that comes our
way. I should know how to deal with you better."
"Tell me what you mean," said Martin.
"Shall I? All right, I will." She stood up with her hands on her hips.
"If you'd played the usual game with little Tootles and dropped her
cold, I wouldn't let you get out of this room without coming up to
scratch. I'd make you cough up a good-sized check. There's such a thing
as playing the game even by us strap-hangers, you know. As it is, I can
see that you were on the square, that you're a bit of a poet or
something and did Tootles a good turn for nothing, and honestly, I
don't know the next move. You don't owe her anything, you see."
"Is money the trouble?" asked Martin.
Irene Stanton shot out an odd, short laugh. "Let me tell you
something," she said. "You know what happened at the dress rehearsal of
'The Ukelele Girl'? Well, the word's gone around about her chucking the
show at the last minute, and it's thumbs down for Tootles. She hadn't a
nickel when she came back from your place, and since then she's pawned
herself right down to the bone to pay her rent and get a few eats. She
wouldn't take nothing from me because I'm out too, and this is a bad
time to get into anything new. Only two things can stop her from being
put out at the end of the week. One's going across the passage to the
drunken fellow that writes music, and the other's telling the tale to
you. She won't do either. I've never seen her the way she is now. She
sits around, staring at the wall, and when I try to put some of her
usual pep into her she won't listen. She's all changed since that taste
of the country, and I figure she won't get on her feet again without a
big yank up. She keeps on saying to herself, like a sort of song, 'Oh,
Gawd, for a sight of the trees,' and I've known girls end it quick when
they get that way."
Martin got up. "Where do you keep your pen and ink?" he asked. Poor old
Tootles. There certainly was something to do.
Irene bent forward eagerly. "Are you going to see her through this
snag?"
"Of course I am."
Public-domain text, read in full here on John Shaqi.
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