Tomorrow she would be back again in the old house, with the old people
and the old dogs and the old trees and follow her old routine--old,
old. That was the price she must pay for being a kid when she should
have been a woman.
Palgrave stood at the sideboard and carved a cold chicken decorated
with slips of parsley. "Have you ever gone into a room in which you've
never been before and recognized everything in it or done some thing
for the first time that you suddenly realize isn't new to you?"
"Yes, often," replied Joan. "Why?"
"You've never sat in that chair until this minute and this chicken was
probably killed this morning. But I've seen you sitting in just that
attitude at that table and cut the wing of this very bird and watched
that identical smile round your lips when I put the plate in front of
you." He put it in front of her and the scent of her hair made him
catch his breath. "Oh, my God!" he said to himself. "This girl--this
beautiful, cool, bewitching thing--the dew of youth upon her, as chaste
as unsunned snow--Oh, my God...."
But Joan had caught the scent of honeysuckle, and back into her brain
came that cottage splashed with sun, the lithe figure of Harry
Oldershaw with his face tanned the color of mahogany and the clear
voice of "Mrs. Gray."
Gilbert filled her glass with champagne cup, carved for himself and sat
at the foot of the table. "The man from whom I bought this place," he
said, saying anything to make conversation and keep himself rig idly
light and, as he hoped, like Oldershaw, "owns a huge ready-made clothes
store on Broadway--appalling things with comic belts and weird pockets."
"Oh!" said Joan. Always, for ever, the scent of honeysuckle would bring
that picture back. Martin--Martin.
"He makes any amount of money by dressing that portion of young America
which sells motors and vacuum cleaners and gramaphone records and hangs
about stage doors smoking cheap cigarettes."
"Yes?" Joan listened but heard nothing except that high clear voice
coming through the screen door.
"He built this cottage as an antidote and spent his week-ends here
entirely alone with the trees and crickets, trying to write poetry. He
was very pleased with it and believed that this atmosphere was going to
make him immortal."
"I see,"--but all she saw was a porch covered with honeysuckle, a
hammock with an open book face downwards in it and the long shadow of
Harry Oldershaw flung across the white steps.
Gilbert went on--pathetically unable to catch the unaffected young
stuff of the nice boy and his kind. He had never been young.
Public-domain text, read in full here on John Shaqi.
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