It so happened that over Palgrave's shoulder she could see the bold
crayon drawing of Martin, brown and healthy and muscular, without an
ounce of affectation, an unmistakable man with his nice irregular
features and clean, merry eyes. There was strength and capability
stamped all over him, and there was, as well, a pleasing sense of
reliability which gained immediate confidence. With the sort of shock
one gets on going into the fresh air from a steam-heated room, she
realized the contrast between these two.
There is always something as unreal about handsome men as there is
about Japanese gardens. Palgrave's hair was so scrupulously sleek and
wiglike, his features so well-balanced and well-chosen, his wide-set
eyes so large and long-lashed, and his fair, soft mustache so
miraculously precise. His clothes, too, were a degree more than
perfect. They were so right as to be a little freakish because they
attracted as much attention as if they were badly cut. He was born for
tea fights and winter resorts, to listen with a distrait half-smile to
the gushing adulation of the oh-my-dear type of women.
He attracted Joan. She admired his assurance and polish and manners.
With these three things even a man with a broken nose and a head bald
as an egg can carry a beautiful woman to the altar. He was something
new to her, too, and she found much to amuse her in his way of
expressing himself. He observed, and sometimes crystallized his
observations with a certain neatness. Also, and she made no bones about
owning to it, his obvious attention flattered her. All the same, she
was in the mood just then for Martin. He went better with the time of
year, and there was something awfully companionable about his sudden
laugh. She would have hailed his appearance at that moment with an
outdoor cry.
It was bad luck for Palgrave, because he now knew definitely that in
Joan he had found the girl who was to give him the great emotion.
She broke away from "The Spring Song" and swung into "D'ye Ken John
Peel with His Coat So Gay?" It was Martin's favorite air. How often she
had heard him shout it among the trees on his way to meet her out there
on the edge of the woods where they had found each other. It was
curious how her thoughts turned to Martin that night.
She left the piano in the middle of a bar. "One cigarette," she said,
and held out a silver box.
Palgrave's hand closed tightly over her slim white arm. In his throat
his heart was pumping. He spoke incoherently, like a man. "God," he
said, "you--you take my breath away. You make my brain whirl. Why
didn't you come out of your garden a year ago?"
He was acting, she thought, and she laughed. "My arm, I think," she
said.
"No, mine. It's got to be mine. What's the good of beating about the
bush?" He spoke with a queer hoarseness, and his hand shook.
Public-domain text, read in full here on John Shaqi.
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