Who Wrote the Bible? : a Book for the PeopleGladden, Washington
Religion
Who Wrote the Bible? : a Book for the People
Gladden, Washington
Bible -- Criticism, interpretation, etc.
Is this history? There is every reason to hope that it is not. That some
deliverance of the Jews from their enemies in Persia may be commemorated
by the feast of Purim is possible; that precisely such a fiendish
outbreak of fanatical cruelty as this ever occurred, we may safely and
charitably doubt. The fact that the story was told, and that it gained
great popularity among the Jews, and by some of those in later ages came
to be regarded as one of the most sacred books of their canon is,
however, a revelation to us of the extent to which the most baleful and
horrible passions may be cherished in the name of religion. It is
precisely for this purpose, perhaps, that the book has been preserved in
our canon. If any one wishes to see the perfect antithesis of the
precepts and the spirit of the gospel of Christ, let him read the Book
of Esther. Frederick Bleek is entirely justified in his statement that
"a spirit of revenge and persecution prevails in the book, and that no
other book of the Old Testament is so far removed as this is from the
spirit of the gospel." [Footnote: Introduction to the Old Testament, i.
450.] For it is not merely true that these atrocities are here recited;
they are clearly indorsed. There is not a word said in deprecation of
the beastliness of the king or the vindictiveness of the hero and the
heroine. It is clear, as Bleek says, "that the author finds a peculiar
satisfaction in the characters and mode of acting of his Jewish
compatriots, Esther and Mordecai; and that the disposition shown by them
appears to him as the right one, and one worthy of their nation."
"Esther the beautiful queen," whose praises have been sung by many of
our poets, possesses, indeed, some admirable qualities; her courage is
illustrious; her patriotism is beautiful; but her bloodthirstiness is
terrible.
Public-domain text, read in full here on John Shaqi.
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