Whom God Hath Joined: A Question of MarriageHume, Fergus
Philosophy
Whom God Hath Joined: A Question of Marriage
Hume, Fergus
English fiction -- 19th century; Husband and wife -- Fiction; Mothers -- Fiction
Sad tints but rich stuffs, serious faces with port-wine complexions,
little jewellery, but what there was, massive in the extreme--no
ostentation, but a quietly-prosperous air, telling of snug banking
accounts. Respectable-looking carriages, with fat horses and still
fatter coachmen, at the grim doors every morning to take them drives
in the Park. A general air of subdued religion about the place--they
were all Broad Church, and held strong opinions about the ritual. No
newspaper admitted into the square except the _Times_, which was heavy
and respectable, hansoms unknown, even the sweeper who swept the
crossings was serious-minded and given to dreary hymns in wet weather.
Everybody went to bed at nine o'clock and rose at the same time in the
morning; the tradesmen were always punctual and deferential, and the
clocks were never out of order.
Miss Angelica Corbin lived in this delightful locality, and, as her
residence there dated from the early part of the Victorian age, she
was regarded as one of the oldest inhabitants.
A maiden lady of uncertain age and certain income, her life was
conducted in a methodical fashion, which enabled her in a great
measure to defy Time. As Miss Corbin was ten years ago she was at
present, and would in all human probability be at the end of another
decade. Quite at variance with the new-fangled ways of the present
generation, this old gentlewoman looked like some disdainful spectre
of a sedate past, solitary amid a frivolous present.
Her room, old-fashioned and changeless as herself, had about it the
aroma of a former generation, when D'Orsay led the fashions, and
people were still talking about Lord Byron, Waterloo, and the Reform
Bill.
Situated on the ground floor above the basement, it had three windows
of small-paned glass looking out on to the dreary square, and was
large and airy, having an oval roof painted with designs of flowers,
fruit, birds, and butterflies.
Under this cheerful ceiling a remarkably comfortable room, furnished
in an antique style. Warm-coloured Turkish carpet, rather threadbare
in places, woolly mats of different tints, heavy mahogany chairs and
sofa, with slippery horsehair coverings; a solid-looking table of the
same wood, draped with dark-green cloth; out-of-date piano, rigid
against the wall, with faded drawn blue silk and tassels above its
yellow ivory keys. An ancient fireplace with elaborate brass dogs'
between which generally blazed a fire of logs (no coal for Miss
Corbin, as she thought it detestable), and a massively-carved
mantelpiece with quaint ornaments of Dresden china, in front of a
gold-framed mirror swathed in green gauze.
On the left-hand side of the fireplace a tall book-case, with glass
doors, fitting into a shallow recess and surmounted by a plaster of
Parts bust of Shakespeare, imprisoned first editions of books popular
in their owner's youth, editions priceless to bibliomaniacs. These,
though now worth their weight in gold, never saw the light of day.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account