The law of the International Copy-right, is a law of this century. Before the colonization of America, every nation having her language, quite different from the others, writers wanted no other protection but the Copy-right of their own country. It is not so now between England, and the United States. The two nations have the same language; and the worthy writers, now benefiting the two nations with their productions, must be protected by unanimous consent of the two nations. It is with a sorrowful mind we are now forced to witness the american government, a government from which we expect to derive more justice than from any other government in the world, sustaining, and countenancing such a piratical transaction. England, without boasting any republican law, is more republican than we, upon this point of justice. Had the people of America granted the just request of the british authors, trusted long ago into the hands of Mr. Henry Clay, at this very time, as men of genius are not wanted in America, despite of cavilers, writing exaggerations against America, from the other side of the Atlantic, we could now reckon american Byrons, and writers of all arts, and sciences as good as any of the most civilized part of Europe. The sooner we will stop the mischief to the detriment of american, and british writers, the sooner we will see the aurora, and the glory of American Literature. If great writers had been neglected in their own country, at the time they had no nation of the same language contending with them; how can we expect that a new american Milton, will be appreciated, or known, without an international law with which to protect the writer? Modest writers have many other difficulties to get popularity, without this great one: and even learned persons are meanly jealous of the fame of a new writer! Such examples which we have in the republic of letters, are the shame of belles letters! Walter Scott himself was unjust in writing against the first productions of Byron. Had Addison never written a criticism on the Paradise Lost, perhaps Milton himself might be yet unknown, such is the ignorance in judging of great writers. The plurality, apes the great critics. Where publishers can reprint the new works of another nation, without paying for the manuscript, though they may give a little remuneration to their country’s writers of an acquired reputation, they almost always decline from giving any thing to an unknown genius. And can all the booksellers judge of a writer’s merit? The International Copy-right between two nations is as necessary as the Copy-right between the writer, and the publisher of the same nation. The man of genius being a mere child in business, he will always be the victim of the wily book merchant, though there are gentlemen among all professions. Besides, when we will be a little more civilized, it will not be, even, permitted to re-print french, or italian works here, printed in France or Italy, without the