Why Authors Go Wrong, and Other ExplanationsOverton, Grant M. (Grant Martin)
Philosophy
Why Authors Go Wrong, and Other Explanations
Overton, Grant M. (Grant Martin)
Authorship
The point we would make--and we might as well try to drive it home
without further ineffectual attempts at illustration--is that you must
do some patterning with your material, whether bricks for a building or
lives for a story; but if you pattern too preciously your building will
be contemptible and your story without a soul. In your building you
must not be so decided as to leave no play for another’s imagination,
contemplating the structure. In your narrative you must not be so
dogmatic about two and two adding to four as to leave no room for a
wild speculation that perhaps they came to five. For it is not the
certainty that two and two have always made four but the possibility
that some day they may make five that makes life worth living--and
guessing about on the printed page.
11
Perhaps the most serious consequence of writing a novel is the
revelation of yourself it inevitably entails.
We are not thinking, principally, of the discovery you will make of the
size of your own soul. We have in mind the laying bare of yourself to
others.
Of course you do reveal yourself to yourself when you write a book to
reveal others to others. It has been supposed that a man cannot say or
do a thing which does not expose his nature. This is nonsense; you do
not expose your nature every time you take the subway, though a trip
therein may very well be an index to your manners. The fact remains
that no man ever made a book or a play or a song or a poem, with any
command of the technique of his work, without in some measure giving
himself away. Where this is not enough of an inducement some other,
such as a tin whistle with every bound copy, is offered; no small
addition as it enables the reviewer to declare, hand on heart, that
“this story is not to be whistled down the wind.” Some have doubted
Bernard Shaw’s Irishism, which seems the queerer as nearly everything
he has written has carried a shillelagh concealed between the covers.
Recently Frank K. Reilly of Chicago gave away one-cent pieces to
advertise a book called _Penny of Top Hill Trail_. He might be said,
and in fact he hereby is said, thus to have coppered his risk in
publishing it.... All of which is likely to be mistaken for jesting.
Let us therefore jest that we may be taken with utmost seriousness.
Public-domain text, read in full here on John Shaqi.
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