"Feeling that she had not mended matters much, Amy took the
offered third of a seat, shook her hair over her face" (Joan
personally suspected that Amy belonged also to the order of the
Brazen Hussies) "and accepted an oar.
"'How well we pull together, don't we?' said Amy, who objected
to silence just then.
"'So well that I wish we might always pull together in the same
boat. Will you, Amy?' very tenderly.
"'Yes, Laurie,' very low.
"Then they both stopped rowing, and unconsciously added a
pretty little tableau of human love and happiness to the
dissolving views reflected in the lake."
This classic scene was not absent from Joan's mind as she seated herself
and her blue chiffon recklessly in the prow of Eduard's canoe; though
the details of stage-management troubled her somewhat. Suppose the
proposer chose to kneel at the feet of the proposee--since there was no
seat to share with her? And suppose the proposer lost his head (as might
properly be expected of him) and embraced the proposee madly--what was
to prevent so precarious a thing as a canoe from tipping over! It seemed
to call for great presence of mind on the part of the proposee. Joan
felt rather nervous.
Mr. Desmond, however, let the opportunity pass. Perhaps he had not read
"Little Women."
Amid talk so casual that it might as well have been silence, they
slipped along between the wide gray of earth and sky, afloat on a stream
of silver. They came presently to an overhanging willow, where he tied
the boat, and helped Joan ashore. He led her, with an air of one
performing a ceremony, up a slight rise of land topped by a great
beech-tree, whose widespread roots made a sort of armchair, after the
hospitable fashion of beech-trees.
"Queen Joan on her throne, viewing her domain," he murmured.
He had not brought her to this place before, and she realized that he
had been saving it for a special occasion. There was a view before her
of shadowy, dreaming country, with a hint of stars to come, and
sheep-bells tinkling in a distant field, and lights gleaming here and
there from half-hidden houses.
Eduard began to murmur softly:
"When the quiet-colored end of evening smiles,
Miles on miles
O'er our many-tinkling meadows where the sheep
Half asleep,
Wander homeward through the twilight, browse and crop
As they stop--"
A sudden impatience seized Joan. How like him to arrange this setting,
to bring things carefully to a climax, and then--to spout Browning at
her!
But she said, as he paused, "Beautiful! 'Love among the Ruins,' isn't
it?"
"Yes--And I," he sighed, tapping himself on the chest, "I am the Ruins!"
Despite the bombast of his tone, there was something in his sigh that
struck her as genuine.
She said consolingly, "At least you're a well-preserved ruin, very
popular with tourists.... I wonder what makes you feel so particularly
ruinous to-night?"
Public-domain text, read in full here on John Shaqi.
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