There he was, talking to me again, just as if I'd asked him in to bully
me. But you've got to be decent to a fellow when he's in your own place;
and by-and-by I asked him, but in a cold, off-hand sort of way, how his
own work was going on. He turned to me again.
"Would you like to see it?" he asked.
"_Aha_!" thought I, "he's got to a sticking-point with his work! It's all
very well," I thought, "for you to sniff at my miniatures, my friend, but
we all get stale on our work sometimes, and the fresh eye, even of a
miniature-painter ..."
"I shall be glad if I can be of any help to you," I answered, still a bit
huffish, but bearing no malice.
"Then come," he said.
We descended and crossed the timber-yard, and he held his door open for
me to pass in.
It was an enormous great place, his studio, and all full of mist; and the
gallery that was his bedroom was up a little staircase at the farther
end. In the middle of the floor was a tall structure of scaffolding, with
a stage or two to stand on; and I could see the dim ghostly marble figure
in the gloom. It had been jacked up on a heavy base; and as it would have
taken three or four men to put it into position, and scarcely a stranger
had entered the yard since I had been there, I knew that the figure must
have stood for a long time. Sculpture's weary, slow work.
Benlian was pottering about with a taper at the end of a long rod; and
suddenly the overhead gas-ring burst into light. I placed myself before
the statue--to criticise, you know.
Well, it didn't seem to me that he needed to have turned up his nose at
my ivories, for I didn't think much of his statue--except that it was a
great, lumping, extraordinary piece of work. It had an outstretched arm
that, I remember thinking, was absolutely misshapen--disproportioned,
big enough for a giant, ridiculously out of drawing. And as I looked at
the thing this way and that, I knew that his eyes in their deep cellars
never left my face for a moment.
"It's a god," he said by-and-by.
Then I began to tell him about that monstrous arm; but he cut me very
short.
"I say it's a god," he interrupted, looking at me as if he would have
eaten me. "Even you, child as you are, have seen the gods men have made
for themselves before this. Half-gods they've made, all good or all evil
(and then they've called them the Devil). This is _my_ god--the god of
good and of evil also."
"Er--I see," I said, rather taken aback (but quite sure he was off his
head for all that). Then I looked at the arm again; a child could have
seen how wrong it was....
But suddenly, to my amazement, he took me by the shoulders and turned me
away.
"That'll do," he said curtly. "I didn't ask you to come in here with a
view to learning anything from you. I wanted to see how it struck you. I
shall send for you again--and again--"
Then he began to jabber, half to himself.
Public-domain text, read in full here on John Shaqi.
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